Dizayini ya The Japanese Forest Kujambula ndi Masaru Eguchi ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2020 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Kujambula Zithunzi ndi Kusintha Zithunzi.
SilivaKujambula Zithunzi· 2020
The Japanese Forest Kujambula
ndi Masaru Eguchi
Kasitomala: Sunpono
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Kujambula Zithunzi
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #95058Kapangidwe
Za The Japanese Forest Kujambula
Nkhalango yaku Japan imatengedwa kuchokera ku chipembedzo cha Japan. Chimodzi mwa zipembedzo zakale za ku Japan ndi Zanyama. Chinyama ndichikhulupiriro kuti zolengedwa zopanda anthu, zomwe zikadali ndi moyo (mchere, zokumba, ndi zina) ndi zinthu zosaonekanso zili ndi cholinga. Kujambula ndizofanana ndi izi. Masaru Eguchi akuwombera china chake chomwe chimapangitsa chidwi pamutuwu. Mitengo, udzu ndi mchere umafuna kufuna moyo. Ndipo zinthu zakale monga madamu omwe adasiyidwa kwachilengedwe kwa nthawi yayitali amamva. Monga momwe mumawonera zachilengedwe, m'tsogolo mudzaona zoonekerazi.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
The Japanese Forest Kujambula ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. The Japanese Forest Kujambula akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. The Japanese Forest Kujambula ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people. - Miyezo ndi Kuphimba
- The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
- Zizindikiro
- Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
- Teknoloji Yopangira
- The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
- Vuto la Dizayini
- The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
- Kafukufuku
- Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
- Chilimbikitso
- One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
- Nthawi ya Polojekiti
- The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
- Mdondomeko ya Ntchito
- This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
- Petensi
- Copyright: Masaru Eguchi
- Mwini Zithunzi
- Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
