Refracting Reality Concepcion de libre by Ching-Fa Lung is a highly esteemed winner of the very prestigious 2021 A' Design Award d'Argent in Imprimariá Competition Category.
ArgentImprimariá· 2021
Refracting Reality Concepcion de libre
Client: Art Center College of Design
A' Design Award d'Argent Winner in Imprimariá Category
Verified Award Winner
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About Refracting Reality Concepcion de libre
Refracting Reality es un libre sus la lutz e la percepcion umana. Lo libre explòra quatre caracteristicas de la lutz : refraccion, reflexion, difraccion e interferéncia. Aquestas qualitats son expressadas a travèrs de la tipografia e las imatges sus 368 paginas. De papièrs cuchats e non cuchats foguèron causits per sostenir diferentas impressions de la lutz. Un prisma solid es tengut dins lo dòs del libre e pòt èsser levat pel legeire. Amb lo prisma, los legeires pòdon observar lo compòrtament de la lutz dirèctament e interagir amb las imatges estampadas.
The Recognition
About the A' Design Award d'Argent
Refracting Reality Concepcion de libre a ganhat la distincion A' Design Award d'Argent, una reconeissença extraordinàriament prestigiosa acordada a de designs d'ort de gamma, esplendids e impressionants. Los ganhaires de l'Argent son d'òbras terriblament brilhantas e extrèmament creativas que illustran l'experiéncia, lo talent e la finessa excepcionals de lors designers. S'espèra que Refracting Reality Concepcion de libre siá una òbra meravilhosa e de referéncia, notablament professionala e prigondament innovanta. Aqueste design ganhaire de la distincion A' Design Award d'Argent es una invencion fòrça notabla e admirada, que fa un ben e fa avançar las frontièras de l'art, de la sciéncia, del design e de la tecnologia. Refracting Reality Concepcion de libre es una creacion immensament envejada que desrevelha de desirs, aduch de sentiments positius e fa néisser l'estonament e l'esmaiment.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The book expressed light characteristics: Refraction, Reflection, Diffraction, and Interferer through typography and imageries. The light experience was considered in the book's materials, such as coated paper, uncoated paper, and a solid prism. The prism of the book spine was used to manifest the perception of light.
- Dimensions & Packaging
- W8.5" x D1.75" x H11.75", 368 pages
- Tags
- Book Design, Editorial Design, Typography, Transmedia Design
- Production Technology
- The book was printed with the Epson P600 inkjet printer and using the Red River paper. Coated paper and uncoated paper were used for inner pages and the prism was used as a book's spine accessory.
- Design Challenge
- To create a 368-page book designed from extensive research on a chosen topic. Not only design a book but also curate the contents, edit and create a compelling narrative for readers to experience the book extensively.
- Research
- In modern society, light is commonly used as a medium throughout a lot of screen time and various screen types. The designer wants to understand deeply the history of how humans started using light and what metaphors light has been bringing to humanity throughout centuries.
Not only looking at light as an art medium but also looking at the different meanings of light brings different cultures and religions in history. Different perspectives that humans observed light was the interesting context of the research for this project. - Inspiration
- Light has been the main part of our world since the beginning of time. Humans have learned to use light to tell stories, relate, experience, and communicate. This book questions our perception of the world by examining the light through different forms of expression.
- Project Duration
- The project started in January 2019 in Pasadena and finished in April 2010 in Pasadena.
- Operation Flow
- Prism can be taken out of the book spine and readers can experience traits of light such as reflection, refraction, diffraction, and Interfere by using the actual prism. They can also interact with the book because a lot of imageries were curated considering this interaction.
- Image Credits
- Photographer: Kevin Martin
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