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Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ by Omid Amini and Fatemeh Salehi Amiri
Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ by Omid Amini and Fatemeh Salehi Amiri
Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ by Omid Amini and Fatemeh Salehi Amiri
Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ by Omid Amini and Fatemeh Salehi Amiri
Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ by Omid Amini and Fatemeh Salehi Amiri

ସୁବର୍ଣ୍ଣ ଅଭ୍ୟନ୍ତରୀଣ · 2021

Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍

by Omid Amini and Fatemeh Salehi Amiri

  • A' Design Award ସୁବର୍ଣ୍ଣ ପୁରସ୍କାର 2021 in ଅଭ୍ୟନ୍ତରୀଣ
  • CLIENT: Sizan
  • Estimated Number of Design Views: 32,897
  • Verification code 90B84CB8E9 · Verify this award
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About Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍

ବରଫ ଗୁମ୍ଫା ହେଉଛି ଏକ ଗ୍ରାହକଙ୍କ ପାଇଁ ଏକ ଶୋ’ରୁମ୍ ଯିଏ ଅନନ୍ୟ ଗୁଣ ସହିତ ଏକ ସ୍ଥାନ ଆବଶ୍ୟକ କରେ | ଇତି ମଧ୍ୟରେ, ତେହେରାନ ଚକ୍ଷୁ ପ୍ରକଳ୍ପର ବିଭିନ୍ନ ଗୁଣ ପ୍ରଦର୍ଶନ କରିବାରେ ସକ୍ଷମ | ପ୍ରୋଜେକ୍ଟର କାର୍ଯ୍ୟ ଅନୁଯାୟୀ, ବସ୍ତୁ ଏବଂ ଘଟଣାଗୁଡ଼ିକୁ ଆବଶ୍ୟକ ଅନୁଯାୟୀ ଦେଖାଇବା ପାଇଁ ଏକ ଆକର୍ଷଣୀୟ ତଥାପି ନିରପେକ୍ଷ ବାତାବରଣ | ସର୍ବନିମ୍ନ ଭୂପୃଷ୍ଠ ତର୍କ ବ୍ୟବହାର କରିବା ହେଉଛି ଡିଜାଇନ୍ ଧାରଣା | ଏକ ଇଣ୍ଟିଗ୍ରେଟେଡ୍ ଜାଲ୍ ଭୂପୃଷ୍ଠ ସମସ୍ତ ଜାଗାରେ ବିସ୍ତାରିତ | ବିଭିନ୍ନ ବ୍ୟବହାର ପାଇଁ ଆବଶ୍ୟକ ସ୍ଥାନ ଉପର ଏବଂ ତଳ ଦିଗରେ ଥିବା ବାହ୍ୟ ଶକ୍ତି ଉପରେ ଆଧାର କରି ଗଠିତ | ଗଠନ ପାଇଁ, ଏହି ପୃଷ୍ଠକୁ 329 ପ୍ୟାନେଲରେ ବିଭକ୍ତ କରାଯାଇଛି |

About the A' Design Award ସୁବର୍ଣ୍ଣ ପୁରସ୍କାର

Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ A' Design Award ସୁବର୍ଣ୍ଣ ପୁରସ୍କାରର ବିଜେତା, ପ୍ରଥମ ଶ୍ରେଣୀର, ଅଦ୍ଭୁତ ଓ ଉତ୍କୃଷ୍ଟ ଡିଜାଇନଗୁଡ଼ିକୁ ପ୍ରଦାନ କରାଯାଉଥିବା ଏକ ଅତ୍ୟନ୍ତ ପ୍ରତିଷ୍ଠିତ ସ୍ୱୀକୃତି। ସୁବର୍ଣ୍ଣ ବିଜେତାମାନେ ସେମାନଙ୍କ ଡିଜାଇନରମାନଙ୍କର ପ୍ରତିଭା, ଜ୍ଞାନ ଓ ଦକ୍ଷତାକୁ ପ୍ରତିଫଳିତ କରୁଥିବା ଅତ୍ୟନ୍ତ ନବସୃଜନଶୀଳ, ଦୂରଦୃଷ୍ଟିସମ୍ପନ୍ନ ଓ ଜାଜ୍ୱଲ୍ୟମାନ ସୃଷ୍ଟି। Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ ଏକ ଅତ୍ୟଧିକ ପ୍ରଶଂସିତ, ପ୍ରବଣତା ସ୍ଥାପକ ଓ ସ୍ମାରକୀୟ ଉଦ୍ଭାବନ ହେବ ବୋଲି ଆଶା କରାଯାଏ ଯାହା ଅଭୂତପୂର୍ବ ମୂଲ୍ୟ ପ୍ରଦାନ କରେ। A' Design Award ସୁବର୍ଣ୍ଣ ପୁରସ୍କାର ଜିତିଥିବା ଏହି ଡିଜାଇନ ଏକ ଚମତ୍କାର, ସମ୍ମାନିତ ପ୍ରକଳ୍ପ ଯାହା ଅତ୍ୟଧିକ ଲାଭଦାୟକ ଏବଂ କଳା, ବିଜ୍ଞାନ, ଡିଜାଇନ ଓ ପ୍ରଯୁକ୍ତିବିଦ୍ୟାର ସୀମାକୁ ଆଗକୁ ନିଏ। Ice Cave ପ୍ରେସାଲସ୍ ଅଫିସ୍ ଇଚ୍ଛାର ତୀବ୍ର ଅନୁଭୂତି ସୃଷ୍ଟି କରେ, ଉତ୍ସାହ ଜାଗ୍ରତ କରେ, ସୃଜନଶୀଳତାକୁ ଉତ୍ସାହିତ କରେ ଏବଂ ଆମକୁ ମୁଗ୍ଧ କରେ।

Press Kit

Unique Properties
The need for an exhibition space and the potential to provide features, details, and replicas of the Tehran Eye project. Also, this section's location on the first floor and the use of two skylights for natural light provided very exclusive conditions for the design of a cave space, which provided a ceiling property or a free form as opposed to neutral walls. The emphasis of the space design was focused on the roof and columns, elements that provided a suitable basis for the design of this space.
Dimensions & Packaging
Ceiling: 290 m2
Ceiling Composite panels: 329
Floor: 200 m2
Tags
Minimal Surface, Digital fabrication, computational design, Digital design
Production Technology
The logic of minimal surfaces was used according to the project's need for an attractive yet neutral atmosphere for showing the project's predicted function.
For Fabrication, this surface has been divided into several panels (329 double curve composite panels). The main constraint for products these panels is using a three-axis CNC machine (Styrofoam block with a density of 37 kg-m3, 1.1.2 m3). At the same time, the method of installing panels and details of connecting to the main structure has also been taken into consideration.
Design Challenge
construction, a few points, needed research, at least the change in the size of the parts based on climate change that sometimes reaches forty degrees Celsius, on the other hand, due to the general use of this project and the rapid flammability of the composite Need fire retardant or fire-retardant compounds.
facilities, due to the middle space between the shell and the structural roof, this section was used to reduce the energy required for air circulation.
green wall section, the use of the most suitable type of these walls, as well as plants and irrigation conditions and light required by plants, are among the items studied.
Research
Type of research: Use of current world articles and journals
Objectives of the research: Making a free-form shell with the least use of materials and in the shortest possible time, using the project facilities to save more energy consumption for the cooling and heating system, using green space with optimal irrigation in mind.
Due to the different parts of the project, several topics were important for initial research and studies.
-design section, what needed more research and study in this section was the optimization of consumables and construction stages according to local materials and devices.
Inspiration
Icy cave project has been designed and built in order to presell commercial units of a commercial-recreational Tehran Eye complex. In its early years of operation, this space will be used for selling commercial units. Then, it will be transformed into an event hall. Therefore, this issue has been taken into consideration in the design of this project, and it's fixed as well as the mobile layout of the furniture.
Project Duration
The project started in April 2016 in Tehran, Iran, and finished in June 2018, and was a sale office for selling stores of Tehran eye Commercial and entertainment complex.
Operation Flow
Visitors are first confronted with a section that can personally use the provided tools to overview the different sections and general and technical information of the Tehran Eye.
then they introduced the project with the guidance of staff using wall-mounted displays. In the second part, customers can sit next to fixed and movable furniture, and listen to the sales manager's explanations. In the final stage, visitors face sitting or standing with a large screen that is projected.
Patents
For copyrights: "Copyrights belong to Fatemeh Salehi Amiri, 2018."

For trademarks: "Sizan (2011) Fatemeh Salehi Amiri, Omid Amini, Avid Amini"
Image Credits
Image #1: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #2: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #3: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #4: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #5: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.

Other Images: Photographer Masih Mostajeran (Deed Studio)

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