Fujifilm Clay Studio2 Projekt wnętrza biura by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 Brązowa Nagroda A' Design Award in Projektowanie Wnętrz Competition Category.
BrązowaWnętrza· 2022
Fujifilm Clay Studio2 Projekt wnętrza biura
by Koji Aoki, Lin Su and Atsushi Fujita
Client: Fujifilm Corporation
Brązowa Nagroda A' Design Award Winner in Wnętrza Category
Verified Award Winner
Verify Award Status for #131321The Design
About Fujifilm Clay Studio2 Projekt wnętrza biura
Clay Studio 2 to wnętrze biurowe zaprojektowane z myślą o pracy nad projektami produktowymi i wizualnymi w Tokio. Przestrzeń o powierzchni 300 metrów kwadratowych została zaplanowana jako spokojne otoczenie sprzyjające koncentracji, w kontraście do biur skupionych głównie na komunikacji. Beton, farba i płyty cementowo-drewniane pozostawiono w surowej, nieprzetworzonej formie, dzięki czemu pomieszczenie sprawia wrażenie zbudowanego wyłącznie z belek i słupów. Ogrodowy krajobraz oraz naturalna sceneria tworzą tło i wprowadzają do wnętrza sezonowe zmiany. Biurka są zwrócone na zewnątrz, a siedmiometrowy stół umożliwia krótkie spotkania przy zachowaniu odpowiedniego dystansu między osobami.
The Recognition
About the Brązowa Nagroda A' Design Award
Fujifilm Clay Studio2 Projekt wnętrza biura to laureat Brązowej Nagrody A' Design Award, wysoce prestiżowego wyróżnienia przyznawanego znakomitym projektom wyróżniającym się kreatywnością, pomysłowością i przenikliwością. Laureaci Brązowej Nagrody to w pełni utalentowane i uderzająco twórcze artefakty, które poświadczają ogromne doświadczenie, wyobraźnię i zaradność ich twórców. Fujifilm Clay Studio2 Projekt wnętrza biura ma być wysoko cenionym, podziwianym i drogim sercu przedmiotem, który jest wyjątkowo profesjonalny i innowacyjny. Ten projekt nagrodzony Brązową Nagrodą A' Design Award łączy najlepsze praktyki w sztuce, nauce, designie i technologii oraz jest doskonały dzięki dbałości o szczegóły. Fujifilm Clay Studio2 Projekt wnętrza biura znakomicie zaspokaja potrzeby, porusza pragnienia, czaruje uczucia i przemawia do ciekawości.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- Dimensions & Packaging
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- Tags
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- Production Technology
- concrete, painting, wood cement board
- Design Challenge
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - Research
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - Inspiration
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - Project Duration
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - Operation Flow
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
- Team Members
- Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita
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