Bahador Kashani Madani

Specialized in Interior Design.

Bahador Kashani Madani

About Bahador Kashani Madani

Bahador Kashani Madani is an interior designer with over 16 years of experience in design and construction. He works across various sectors, specializing in creating spaces that balance functionality with aesthetics. Bahador’s approach focuses on incorporating natural light, accessibility, and sustainability to ensure practical, user-friendly environments. His work combines artistic vision with technical expertise, creating spaces that respond to the needs of users. Having experience in both luxury and public projects, Bahador has developed a reputation for delivering designs that are both practical and visually engaging.

  • Winner of the A' Design Award.
  • Specialized in Interior Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Interior
Tamrin Space Cultural Center

Tamrin Space Cultural Center

Interior Design

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Interview with Bahador Kashani Madani

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
I hold a Bachelor's degree in Mechanical Engineering and a Master's degree in Architectural Engineering. This unique combination of disciplines has significantly influenced my design approach. If I hadn’t become a designer, I would have likely become a filmmaker. In my youth, I was deeply passionate about cinema—I saw filmmaking as a unique, interdisciplinary art form that brings together all the other arts: visual storytelling, music, architecture, writing, rhythm, and emotion.
Can you tell us more about your company / design studio?
Our architecture studio is a family-run practice, where my brothers and I have continued the path of our late father, who was also an architect. It is a small but highly creative team, and we focus on thoughtful, context-driven designs.
What is "design" for you?
For me, design is creation—the act of bringing something meaningful into existence. It is about shaping ideas into form, solving problems with beauty and function, and leaving behind something that connects with people.
What kinds of works do you like designing most?
My dream project is to restore and redefine a well-known, historically valuable old building. I am passionate about breathing new life into architecture that holds cultural and historical significance, while adapting it thoughtfully to contemporary needs.
What is your most favorite design, could you please tell more about it?
Each of my projects contains elements that I feel personally connected to—details, ideas, or spaces that I deeply care about. But if I had to choose one, the Tamrin Space Cultural Center stands out as the project I feel most emotionally close to.
What is your favorite material / platform / technology?
I believe every material, platform, or technology can be valuable—when used in the right context. No single material is inherently better than another. What matters is how creatively and appropriately it is applied within a specific project. All these tools should serve the vision of a thoughtful and creative architect, who selects them based on the unique needs of the site and the essence of the design.
When do you feel the most creative?
There’s no fixed time when creativity strikes—it can happen at any moment, even in sleep. However, I generally feel most creative during the night. The quiet and stillness of nighttime often allows deeper reflection and freer imagination.
Which aspects of a design do you focus more during designing?
I believe every aspect of a design is important. From concept and functionality to details, materials, and context—each part must be thoughtfully developed. If even one element is weak or neglected, it can eventually compromise the integrity of the entire project. Design is a holistic process, and excellence requires balance across all layers.
What makes a design successful?
To me, the core of a successful design is honesty—honesty in intention, in process, and in execution. A design should reflect a genuine response to the context, the needs of the users, and the essence of the idea behind it. When a design is honest, it connects with people on a deeper level, and that authenticity is what gives it lasting value.
From your point of view, what are the responsibilities of a designer for society and environment?
A designer holds significant responsibility toward both society and the environment. On one hand, we must be deeply mindful of environmental impact—designing sustainably, minimizing waste, and respecting natural resources. On the other hand, we carry a cultural responsibility: to elevate public taste, inspire better lifestyles, and contribute to a more thoughtful and humane built environment. This can only be achieved through honest, committed, and meaningful design.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
My design inspiration comes from being constantly exposed to high-quality art and staying immersed in it. This includes everything from music to cinema. I believe that surrounding myself with diverse and meaningful artistic expressions feeds my creativity and opens new ways of thinking, which then influence my design work.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
My design style is a blend of modern functional architecture deeply rooted in local context and culture. I pay close attention to the project’s environment and background, aiming to create works that respect and reflect the native heritage while embracing modernity. I have been naturally drawn to this style because I believe in form following function—designs should avoid unnecessary elements and focus on purposeful, meaningful solutions. This approach allows me to create architecture that is both practical and emotionally resonant.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I live in Iran, a country with an extraordinary architectural heritage. One of the greatest achievements of Iranian architects has been their deep understanding of the site’s context and climate, and their ability to create designs that harmonize perfectly with these conditions. This rich cultural background profoundly influences my work. Designing in Iran offers the advantage of drawing inspiration from centuries of architectural wisdom, but it also presents challenges, such as balancing tradition with modern needs and dealing with local regulations and resources.
Can you talk a little about your design process?
My design process always begins with thorough research and physical presence at the project site. Understanding the context, climate, and cultural background is essential to create a design that truly fits its environment. I believe that every detail matters, so I constantly revisit the design, reflecting and refining it at different stages. This iterative approach helps me ensure that the form follows function and that no element is unnecessary.
What are 5 of your favorite design items at home?
Five of my favorite design items at home are the bathroom, the toilet, the kitchen, the bedroom, and the workspace. These spaces are essential for daily life and offer opportunities to combine functionality with comfort and aesthetic appeal.
From your perspective, what would you say are some positives and negatives of being a designer?
From my perspective, the positive side of being a designer is the joy of creating and being a creator. It’s fulfilling to bring ideas to life and shape environments that impact people’s lives. On the downside, designers can be very sensitive and emotional, which sometimes makes the process challenging but also deepens the connection with the work.
What is your "golden rule" in design?
My secret ingredient for success in design is being physically present at the project site—repeatedly and at every key stage of the design process. No amount of drawings, photos, or maps can replace the insights gained from walking the site, feeling its scale, observing its surroundings, and absorbing its atmosphere.
What skills are most important for a designer?
The most important skills for a designer include attention to detail, creativity, and the ability to deeply understand the context of a project. Being observant and curious helps in discovering what truly works.
Designing can sometimes be a really time consuming task, how do you manage your time?
Designing can indeed be very time-consuming, so I manage my time through careful planning. Breaking the project into stages and setting clear goals for each phase helps me stay organized and focused, ensuring steady progress without losing sight of details.
How long does it take to design an object from beginning to end?
It really depends on many factors. Sometimes the core concept reveals itself quickly and the design process flows naturally from that point. Other times, reaching that central idea requires more time, exploration, and iteration.
What was your most important job experience?
Every project is unique and deserves a unique design approach. This perspective has been my most important job experience—understanding that no two projects are the same and that each requires its own careful and thoughtful design process.
What type of design work do you enjoy the most and why?
I enjoy working on designs that deeply respect the context and environment of the project. For me, local and modern architecture that combines functionality with meaningful form is very rewarding. Projects like those I have done in Iran, which blend modern architectural principles with local culture and climate, are especially fulfilling because they create spaces that feel authentic and purposeful.
Do you work as a team, or do you develop your designs yourself?
Most of the core ideas and the main concept of my designs are developed quietly and individually in my mind. However, as the project progresses, I collaborate closely with my team, including my brothers, to refine and realize the design.
How can people contact you?
People can contact me through my social media channels. I’m active there and welcome any inquiries or collaborations.

Extended Interview with Bahador Kashani Madani

Could you please tell us about your experience as a designer, artist, architect or creator?
I hold a Bachelor's degree in Mechanical Engineering and a Master's degree in Architectural Engineering. This unique combination of disciplines has significantly influenced my design approach
How did you become a designer?
My primary motivation to become a designer was my father—he was a renowned architect in Iran, and growing up around his work had a profound impact on me. Watching his passion, creativity, and the way he could shape the world around him through architecture inspired me from an early age. Beyond that, I’ve always been deeply drawn to the act of creation itself—the process of turning an abstract idea into a tangible form that can affect people’s lives
Which emotions do you feel when designing?
I primarily focus on architectural design, and one of my core principles is responding thoughtfully to the context and cultural background of each project. I have a deep appreciation for vernacular architecture and how it reflects the identity and traditions of a place. At the same time, I am also strongly drawn to modern, functional architecture—designs where form follows function and unnecessary elements are avoided. Most of my projects in Iran embody a synthesis of these two values. They represent what I would call a form of contemporary Iranian architecture—modern in expression, yet rooted in local identity and adapted to the environment. I am especially interested in continuing to explore this balance, designing more projects that harmonize contextual sensitivity with modern functionality.
What particular aspects of your background shaped you as a designer?
The single most important step is active study through close observation. Spend time with well-designed buildings—walk the city, enter the spaces, linger, sketch, photograph, and ask why every line, joint, or material choice exists. Let the built environment become an open-air classroom where you train your eye for proportion, detail, and context. Combine this daily field research with reading, drawing, modeling, and hands-on experimentation; theory means little until you verify it against real architecture. Record what you discover, question established solutions, and seek mentors who push you further. Over years, this disciplined curiosity turns raw talent into informed intuition—exactly the quality that elevates a designer from practitioner to legend.
What is your growth path? What are your future plans? What is your dream design project?
What truly distinguishes a good designer from a great one is attention to detail. While a good designer may solve the overall problem and create a functional and aesthetically pleasing solution, a great designer goes further—carefully considering every small element, every transition, every material joint, and how all parts work together in harmony. Great design is often invisible at first glance—it’s felt in how natural and effortless the experience is. That level of clarity and refinement comes only from a deep commitment to detail, precision, and craftsmanship. It’s in the quiet discipline of perfecting what others might overlook that a designer becomes truly exceptional.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
The value of good design is immense—it directly impacts the quality of life, behavior, and even the emotional well-being of individuals and communities. As designers, we are morally obligated to offer the best possible solutions, because design doesn’t just affect one person—it shapes the lives of many. A poorly designed building, space, or product can lead to confusion, discomfort, inefficiency, or even harm. In contrast, thoughtful and well-executed design can inspire, heal, and uplift. This is why investing in good design is not a luxury; it is a necessity. The long-term cultural, social, and economic benefits far outweigh the initial cost. In short, good design is not just about beauty—it's about responsibility.
How do you keep up with latest design trends? To what extent do design trends matter?
My dream project is to restore and redefine a well-known, historically valuable old building. I am passionate about breathing new life into architecture that holds cultural and historical significance, while adapting it thoughtfully to contemporary needs. This kind of project offers a unique challenge—balancing preservation with innovation, respecting the past while creating something meaningful for the present and future. I believe such work can deeply connect people to their heritage and inspire new ways of living and experiencing space.
How do you know if a product or project is well designed? How do you define good design?
My secret ingredient for success in design is being physically present at the project site—repeatedly and at every key stage of the design process. No amount of drawings, photos, or maps can replace the insights gained from walking the site, feeling its scale, observing its surroundings, and absorbing its atmosphere. Equally important is the willingness to revisit the design again and again, to question assumptions, refine concepts, and allow the project to evolve naturally. I believe good design is not a straight line—it’s a process of continuous return, reflection, and refinement. That persistence and deep engagement with the place are what give the final design its strength and clarity.
What is your biggest design work?
The works of Peter Zumthor have always been a profound source of inspiration for me. His designs embody the full spectrum of what I consider to be the values of great architecture—from the conceptual idea and intellectual depth behind the project, to the emotional atmosphere, material choices, and meticulous attention to detail. Zumthor’s work doesn’t just look beautiful—it feels meaningful. Every element, every texture, and every spatial transition is deliberate and thoughtfully integrated. He creates buildings that engage the senses and resonate on a human, almost poetic level. That balance of philosophy, function, and feeling is what I deeply admire and aspire to in my own work.
Who is your favourite designer?
Each of my projects contains elements that I feel personally connected to—details, ideas, or spaces that I deeply care about. But if I had to choose one, the Tamrin Space Cultural Center stands out as the project I feel most emotionally close to. What makes it special is not just the design itself, but the entire journey: the nature of the project, the unique relationship with the client, and the thoughtful process of redesign and transformation. It was a project where I could truly engage both intellectually and emotionally, and that level of involvement brought out something deeply meaningful. It reflects not only my design values but also my personal growth as a designer.
Would you tell us more about your work culture and business philosophy?
If I hadn’t become a designer, I would have likely become a filmmaker. In my youth, I was deeply passionate about cinema—I saw filmmaking as a unique, interdisciplinary art form that brings together all the other arts: visual storytelling, music, architecture, writing, rhythm, and emotion. Later, when I discovered architecture, I realized it shared many of the same qualities: it tells stories through space, it shapes experiences, and it requires a balance of logic, creativity, and emotion. In a way, I feel that both filmmaking and architecture are about directing human experience—one through time and narrative, the other through space and atmosphere.
What positive experiences you had when you attend the A’ Design Award?
First and foremost, I owe everything to my family and the environment my parents created for me and my brothers. My father laid the foundation—not just through his profession as an architect, but through the values he instilled in us. After his passing, my mother became both a mother and a father to us. Her strength, support, and unwavering presence were a guiding force in our lives. My brothers, who have also been my collaborators in various projects, trusted me and stood by me every step of the way. Their belief in my ideas gave me confidence and courage. And finally, my wife, who at different points in my journey, reminded me of my purpose and helped rekindle my motivation when I needed it most. I’ve never walked this path alone—and for that, I am deeply grateful.

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