Shany Abdallah Naji اصلي دنده: د ګرافیک هنر لړۍ by Shany Dvora is a highly esteemed winner of the very prestigious 2021 د سپینو زرو A' Design Award جایزه in د ګرافیکس، انځورګرۍ او لیدنیز اړیکو ډیزاین Competition Category.
سپین زرګرافیک· 2021
Shany Abdallah Naji اصلي دنده: د ګرافیک هنر لړۍ
by Shany Dvora
د سپینو زرو A' Design Award جایزه Winner in ګرافیک Category
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The Design
About Shany Abdallah Naji اصلي دنده: د ګرافیک هنر لړۍ
شني عبدالله ناجي د ګرافیکي کارونو یوه لړۍ ده چې د کورنۍ د نوم اېښودلو یو دود بیا راژوندی کوي. دا دود، چې کله کورنۍ له عراق څخه اسراییلو ته کډه شوه پای ته ورسید، نوي زیږیدلي ماشوم ته یې لومړی نوم ورکاوه چې ورپسې د پلار او نیکه نومونه راتلل. دا لړۍ د کورنۍ د زړو کډوالۍ اسنادو له موندلو وروسته جوړه شوه. پنځه ګډ رسنیز کارونه، څلور یې د ۵۰ په ۷۰ سانتي مترو او یو یې د ۷۵ په ۷۰ سانتي مترو، انځورونه په عبري خطاطۍ کې اوبدلي دي چې د عراق، یمن او مراکش د عبري لاسي لیکونو څخه الهام اخیستی، کوم چې د ۱۲مې او ۱۵مې پیړیو ترمنځ جوړ شوي وو.
The Recognition
About the د سپینو زرو A' Design Award جایزه
Shany Abdallah Naji اصلي دنده: د ګرافیک هنر لړۍ د سپینو زرو A' Design Award جایزې ګټونکی دی، یوه غیرعادي ویاړلې پېژندنه چې لوړې درجې، ښکلو، لوړو او اغېزناکو ډیزاینونو ته ورکول کېږي. د سپینو زرو ګټونکي ډېر ځلانده او خورا خلاقي کارونه دي چې د خپلو ډیزاینرانو غوره مهارت، استعداد او ځیرکتیا ښيي. له Shany Abdallah Naji اصلي دنده: د ګرافیک هنر لړۍ څخه تمه کېږي چې یو عالي، نمونه کار وي چې په پام وړ ډول مسلکي او په ژوروالي نوښتګر دی. دا د سپینو زرو A' Design Award جایزې ګټونکی ډیزاین یو ډېر د پام وړ او ستایل شوی اختراع دی چې ګټه رسوي او د هنر، ساینس، ډیزاین او ټیکنالوژۍ حدود مخکې وړي. Shany Abdallah Naji اصلي دنده: د ګرافیک هنر لړۍ یو جوړښت دی چې پر هغه ډېر حسد کېږي، هیلې ویښوي، مثبت احساسات راوړي او حیرانتیا او تعجب راپاروي.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
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- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
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- Patents
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- Team Members
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- Image Credits
- Shany Dvora
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