Constructing The Intangible ابتدايي دنده: مفهومي انځورګري by Yuanying He

Constructing The Intangible ابتدايي دنده: مفهومي انځورګري by Yuanying He is a highly esteemed winner of the very prestigious 2026 د اوسپنې A' Design Award جایزه in د ګرافیکس، انځورګرۍ او لیدنیز اړیکو ډیزاین Competition Category.

اوسپنهګرافیک· 2026

Constructing The Intangible ابتدايي دنده: مفهومي انځورګري

by Yuanying He

Client: K3ntiv3

د اوسپنې A' Design Award جایزه Winner in ګرافیک Category

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Colors

The Design

About Constructing The Intangible ابتدايي دنده: مفهومي انځورګري

د کتاب متن: د ناموجوده شيانو جوړول (Constructing the Intangible) حافظه د ساتلو پر ځای د بيا جوړولو د يوې پروسې په توګه څيړي. د ماشومتوب د پوميلو (يو ډول مڼې) د ګلانو له لنډمهالې بوی څخه په الهام اخيستلو سره، دا اثر معماري عناصر لکه کرينونه، شبکې، او ناهمواره زينې کاروي ترڅو د يادونو جوړښت انځور کړي. حافظه د اوسني هويت د جوړولو لپاره د تېرو ټوټو د راټولولو د يو فعال عمل په توګه وړاندې کيږي. د يو محتاط جوړښتي ژبې له لارې، دا اثر يو ناموجود حسي تجربه په يوې لیدونکې فضايي بڼې بدلوي.

The Recognition

About the د اوسپنې A' Design Award جایزه

Constructing The Intangible ابتدايي دنده: مفهومي انځورګري د اوسپنې A' Design Award جایزې ګټونکی دی، یوه ویاړلې پېژندنه چې ښو ډیزاینونو ته ورکول کېږي چې هغه مسلکي او صنعتي اړتیاوې پوره کوي چې له ښه ډیزاین شویو جوړښتونو څخه تمه کېږي. د اوسپنې ګټونکي د خپلو جوړوونکو لویه مهارت، لوړه تخصص، کارپوهانه پوهه او خلاقي وړتیا ښيي. له Constructing The Intangible ابتدايي دنده: مفهومي انځورګري څخه تمه کېږي چې یو ډېر ارزښتناک، ستایل شوی او ګران جوړښت وي چې عملي او نوښتګر دی. دا د اوسپنې A' Design Award جایزې ګټونکی ډیزاین د صنعت غوره کړنلارې یو ځای کوي او وړ تخنیکي ځانګړتیاوې لري چې له پوهې او استعداد سره تړلي دي. Constructing The Intangible ابتدايي دنده: مفهومي انځورګري د خپل دقت له امله درناوی کېږي او د ژوند د کیفیت داسې ښه والی وړاندې کولو لپاره ډیزاین شوی چې نړۍ یو ښه ځای ګرځولو کې مرسته کوي.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Constructing the Intangible explores the architecture of memory. This artwork examines how sensory fragments, specifically the ephemeral scent of the past, are reorganized. Memory is presented not as static preservation, but as an active secondary rendering shaped by narrative coherence. Utilizing a structural language bridging nature and architecture, the design transforms intangible sensory experiences into visible forms. Past fragments serve as scaffolding to support selfhood.
Dimensions & Packaging: High-resolution digital artwork.
Dimensions: 3600 x 3600 pixels.
Color space: RGB.
Format: Digital illustration suitable for print and screen display.
Tags: memory reconstruction, olfactory memory, architectural metaphor, narrative identity, secondary construction, spatial abstraction, sensory memory, autobiographical memory
Production Technology: The artwork was created using digital illustration techniques. A structured grid-based composition system was applied to organize spatial elements. Layered vector and raster rendering methods were combined to achieve depth and architectural precision. The visual system references drafting language and construction schematics to reinforce the conceptual framework.
Design Challenge: The primary challenge was translating an invisible and ephemeral sensory experience into a coherent spatial structure. The work avoids literal representation of scent and instead constructs a layered architectural system to express memory reconstruction. Balancing structural precision with emotional ambiguity required careful control of composition, grid systems, and visual hierarchy.
Research: This project explores autobiographical memory reconstruction through visual metaphor. Drawing from narrative identity theory and cognitive psychology, it investigates how memory is not a fixed recording but an active reconstruction shaped by perception and storytelling. Olfactory memory, particularly childhood scent associations, serves as an anchoring mechanism to translate intangible sensory recall into spatial and architectural language.
Inspiration: The inspiration originated from a simple observation: describing a dream after waking is already an act of secondary representation and reconstruction. The cool scent of pomelo blossoms from childhood serves as a sensory anchor. This fleeting memory is deconstructed into an orderly “construction site”. Cranes, grids, and misaligned staircases symbolize the subtle imperfections and ongoing rebuilding inherent in human recollection.
Project Duration: The project was conceptualized and completed in February 2026 in Shenzhen, China.
Operation Flow: The viewer engages with the artwork through visual navigation. Misaligned staircases, cranes, and grid structures guide the eye toward a central focal point, mirroring the cognitive process of memory reconstruction. The interaction is interpretive rather than functional, inviting reflection rather than instruction.
Patents: This project is an original conceptual artwork created by the artist. It is not associated with any registered patents or trademarks. All intellectual property rights belong solely to the artist.
Image Credits: All visual elements, illustrations, and conceptual content in this project are original works created solely by the artist. No third-party materials, stock images, templates, or external visual assets were used in the creation of this work.