Mother Earth انځور by Naseer Behbehani is a highly esteemed winner of the very prestigious 2020 د سپینو زرو A' Design Award جایزه in د عکاسۍ او د عکس تغییر ډیزاین Competition Category.

سپین زرعکاسي· 2020

Mother Earth انځور

by Naseer Behbehani

د سپینو زرو A' Design Award جایزه Winner in عکاسي Category

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Colors

The Design

About Mother Earth انځور

مورنۍ ځمکه یو سټوډیویي پرترایت انځور دی چې سیاره یې د یوې ناروغې ښځې په بڼه د انسان په شکل وړاندې کوي. میکاپ کې د اوقیانوسونو، نباتاتو او خاورې د ښودلو لپاره شنه، آبي او خړ رنګونه کارول شوي دي. د ناروغۍ د ښودلو لپاره د مرینۍ (مدل) پر سر د مړاوو ګلونو پاڼې ایښودل شوي دي. د مرینۍ اظهار خپګان او زیانمنتیا انتقالوي. رڼا د مرینۍ پر یوه لوی اکتاباکس او د شالید پر یوه رڼا سره جوړه شوې ده. وروستی انځور د ډیجیټل اېډیټینګ سافټویر په مرسته سم شوی دی. دا انځور ککړتیا د انسان له احساساتو سره تړي او د اقلیم بدلون ته پام اړوي.

The Recognition

About the د سپینو زرو A' Design Award جایزه

Mother Earth انځور د سپینو زرو A' Design Award جایزې ګټونکی دی، یوه غیرعادي ویاړلې پېژندنه چې لوړې درجې، ښکلو، لوړو او اغېزناکو ډیزاینونو ته ورکول کېږي. د سپینو زرو ګټونکي ډېر ځلانده او خورا خلاقي کارونه دي چې د خپلو ډیزاینرانو غوره مهارت، استعداد او ځیرکتیا ښيي. له Mother Earth انځور څخه تمه کېږي چې یو عالي، نمونه کار وي چې په پام وړ ډول مسلکي او په ژوروالي نوښتګر دی. دا د سپینو زرو A' Design Award جایزې ګټونکی ډیزاین یو ډېر د پام وړ او ستایل شوی اختراع دی چې ګټه رسوي او د هنر، ساینس، ډیزاین او ټیکنالوژۍ حدود مخکې وړي. Mother Earth انځور یو جوړښت دی چې پر هغه ډېر حسد کېږي، هیلې ویښوي، مثبت احساسات راوړي او حیرانتیا او تعجب راپاروي.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The goal is to transfer earth pollution suffering into human emotion, to grab people attention to a raising problem of modern life style.
Dimensions & Packaging: Camera used: Canon 5d Mark ii, with canon 85/1.2 @ s100, f9, ISO 50
Software used: Lightroom and photoshop
Tags: Portrait, Earth, Studio, Photography, Makeup, Nature, Pollution, People, Woman
Production Technology: I sketched the idea for the makeup artist to understand the concept. The colors are representation of nature, and the dead flowers on the head of the model to show that she is dying. I asked the model to show vulnerability and sadness. I used one big octabox on the model and one light on the backdrop.
Design Challenge: The hardest part of this project was to find an African model. At the time of making this project, modeling agencies wast not common. So finding a model of a specific look was difficult.
Research: How earth would look like in a human form is the main is the core of this project. So, I mainly used google to view other artist approach of this concept, to get inspiration. The I did sketches of my own to show them to the makeup artist so she could understand my vision. I decided to hire an African model since Africa is the most connected with nature than others. I used dying petals as a representation of sickness. The green, blue and brown ware used as the colors of nature.
Inspiration: When I was a kid winter used to be colder and longer. Climate is actually changing due to global worming. Mother earth is dying and we are the ones responsible for that. So I though to represent planet earth as a sick woman waring nature, with makeup inspired by oceans, plants and soil. I choose an African model, as for me, Africa is the closest place on earth to pure nature.
Project Duration: The photograph took around 3 hours for the makeup and shooting in studio and 2 hours of retouching. It was shot in Kuwait 2015.
Operation Flow: Mother Earth photograph main perps is to engage with the viewers emotionally. So the best way to view this photograph is to look hard to the model's face and try to read her emotions.
Team Members: Makeup artist: Fatima Yousif
Model: Dalal
Image Credits: Image #1: Photographer Naseer Behbehani, Mother Earth, 2015.
Image #2: Photographer Naseer Behbehani, Progress 1, 2015.
Image #3: Photographer Naseer Behbehani, Progress 2, 2015.
Image #4: Photographer Naseer Behbehani, Progress 3, 2015.