O design Tea Culture Salão de Experiência da Cultura do Chá por Shenzhen Horizon Space Design Co.,Ltd é um vencedor altamente estimado do prestigioso 2021 A' Design Award de Prata na Categoria de Competição Design de Espaços Interiores e Exposições.
PrataInterior· 2021
Tea Culture Salão de Experiência da Cultura do Chá
por Shenzhen Horizon Space Design Co.,Ltd
Cliente: Shenzhen Horizon Space Design Co.,Ltd
Vencedor do A' Design Award de Prata na Categoria Interior
Vencedor de Prémio Verificado
Verificar Estado do Prémio para #116924O Design
Sobre Tea Culture Salão de Experiência da Cultura do Chá
Tea Culture é um pequeno salão de experiência da cultura do chá concebido como um ambiente sereno para a degustação de chá. Diversos espaços horizontais e verticais unem-se numa única área contínua, onde os visitantes podem caminhar livremente, encontrar-se uns com os outros ou deter-se e olhar para trás. A disposição foi inspirada no papel dobrado, e as consequentes mudanças de perspetiva conferem ao interior tanto a quietude clássica como a vitalidade moderna. Grelhas delgadas substituem a textura superficial do papel. Cada espaço é reduzido a uma função simples, de modo que os visitantes possam relaxar antes de o chá ser servido.
O Reconhecimento
Sobre o A' Design Award de Prata
Tea Culture Salão de Experiência da Cultura do Chá conquistou o A' Design Award de Prata, um reconhecimento extraordinariamente prestigiado atribuído a designs de topo de gama, deslumbrantes e impressionantes. Os vencedores da Prata são obras tremendamente brilhantes e extremamente criativas que ilustram a perícia, o talento e a acuidade excecionais dos seus designers. Espera-se que Tea Culture Salão de Experiência da Cultura do Chá seja uma obra maravilhosa e de referência, notavelmente profissional e profundamente inovadora. Este design vencedor do A' Design Award de Prata é uma invenção muito notável e admirada, que beneficia e faz avançar as fronteiras da arte, da ciência, do design e da tecnologia. Tea Culture Salão de Experiência da Cultura do Chá é uma criação imensamente invejada que desperta desejos, traz sentimentos positivos e faz nascer espanto e deslumbramento.
Por Trás do Design
Kit de Imprensa
Créditos, membros da equipa e detalhes técnicos fornecidos pelo designer.
- Propriedades Únicas
- The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
- Dimensões e Embalagem
- What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
- Etiquetas
- Tea Culture Exploration Hall
- Tecnologia de Produção
- Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.
At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs. - Inspiração
- When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
- Membros da Equipa
- Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu
Patrocinado
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