Rene Final Call Design de Palco para Concerto ao Vivo por B'in Live Co., Ltd.

O design Rene Final Call Design de Palco para Concerto ao Vivo por B'in Live Co., Ltd. é um vencedor altamente estimado do prestigioso 2026 A' Design Award de Prata na Categoria de Competição Design de Eventos e Acontecimentos.

PrataEvento· 2026

Rene Final Call Design de Palco para Concerto ao Vivo

por B'in Live Co., Ltd.

Cliente: B’in Live Co., Ltd

Vencedor do A' Design Award de Prata na Categoria Evento

21,110

Vencedor de Prémio Verificado

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O Design

Sobre Rene Final Call Design de Palco para Concerto ao Vivo

Rene Final Call é um palco de turnê de concertos ao vivo concebido para um público de arena. O palco de quatro faces mede 28 metros de largura, 22 metros de comprimento e 2,2 metros de altura, mantendo as linhas de visão equilibradas. Um prato giratório central eleva-se até 3,6 metros e funciona em conjunto com dez elevadores independentes para formar topografias mutáveis. O concerto desenrola-se em quatro capítulos, passando de uma cena subaquática a anéis em socalcos de relva e cactos. Uma matriz vertical tridimensional de LED apresenta uma exibição fluida das letras das canções. Os componentes modulares permitem que a estrutura seja remontada e reutilizada.

O Reconhecimento

Sobre o A' Design Award de Prata

Rene Final Call Design de Palco para Concerto ao Vivo conquistou o A' Design Award de Prata, um reconhecimento extraordinariamente prestigiado atribuído a designs de topo de gama, deslumbrantes e impressionantes. Os vencedores da Prata são obras tremendamente brilhantes e extremamente criativas que ilustram a perícia, o talento e a acuidade excecionais dos seus designers. Espera-se que Rene Final Call Design de Palco para Concerto ao Vivo seja uma obra maravilhosa e de referência, notavelmente profissional e profundamente inovadora. Este design vencedor do A' Design Award de Prata é uma invenção muito notável e admirada, que beneficia e faz avançar as fronteiras da arte, da ciência, do design e da tecnologia. Rene Final Call Design de Palco para Concerto ao Vivo é uma criação imensamente invejada que desperta desejos, traz sentimentos positivos e faz nascer espanto e deslumbramento.

Por Trás do Design

Kit de Imprensa

Créditos, membros da equipa e detalhes técnicos fornecidos pelo designer.

Propriedades Únicas: The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
Dimensões e Embalagem: The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
Etiquetas: 360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
Tecnologia de Produção: The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
Desafio de Design: The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
Pesquisa: The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
Inspiração: Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
Duração do Projeto: The project finished in 2025 in Taiwan.
Fluxo de Operação: Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
Membros da Equipa: B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu
Créditos de Imagem: B’IN LIVE CO., LTD.