Tairan Hao and Shan Xu nisqap Ceramics Extension Arte Churay Ruway diseñon

Tairan Hao and Shan Xu nisqap Ceramics Extension Arte Churay Ruway diseñonqa Sumak Ruray Kamay Atipanakuy T'aqapi 2020 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiSumak Ruray· 2020

Ceramics Extension Arte Churay Ruway

Tairan Hao and Shan Xu rurasqa

Mañakuq: Tairan Hao

Sumak Ruray T'aqapi A' Design Award Burunsi Premiu Atipaq

17,947

Taripasqa Premio Atipaq

#104079 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Ceramics Extension Arte Churay Ruway nisqamanta

Kay churayqa ruwasqa kachkan ñawpaq ruway makiwan llank'asqa arcilla ruruchisqakunawan chaynallataq 3D imprimisqa plástico ruruchisqakunawan. Kay arteqa diseñowanqa munakuchkan kallpasapa sientimientota willayta rikuqkunaman: tukuy imapas, pipas, imatapas mana tukukuqman hinam mastakuchkanku. Ruruchisqakuna kaqtin, willakuchan wakin rikurqanku imakunaqa cheqaqta kanku, ichaqa wak imakunaqa rikch'ariq espejokunamanta rikch'aymi kanku, mana cheqaqchu. Kay tinkiyqa runata yuyaychin fantasía pachaman yaykuchkanku, paykuna kikin kamaqanku chayta.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Ceramics Extension Arte Churay Ruway A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Ceramics Extension Arte Churay Ruway sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Ceramics Extension Arte Churay Ruway mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Tupukuna & P'istuy: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Etiquetakuna: Installation, Art, 3D Printing, Ceramics, Sculpture
Ruway Tecnología: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Diseño Sasachakuy: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
T'aqwiy: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Kallpachay: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Llamk'ay Pacha: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Purichiy Puriy: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Patentekuna: Copyrights belong to Shan Xu and Tairan Hao, 2017
Huñu Runakuna: Designer: Shan Xu
Artist: Tairan Hao
Siq'i Hayñikuna: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017