Yamaki Zushi Mikhuna Wasi Ukhu Wasichay by Yu-Fan Kao and Wei-Hua Lin is a highly esteemed winner of the very prestigious 2022 A' Design Award Qullqi Premiu in Ukupi Kamay Competition Category.
QullqiUkupi· 2022
Yamaki Zushi Mikhuna Wasi Ukhu Wasichay
Client: Drawin Design Studio
A' Design Award Qullqi Premiu Winner in Ukupi Category
Verified Award Winner
Verify Award Status for #128146The Design
About Yamaki Zushi Mikhuna Wasi Ukhu Wasichay
Yamaki Zushi nisqaqa huk Japón mikhuna wasi ukhun, Taiwán suyupi tarikuq. Punku qawanqa metal wachaykunamanta ruwasqa, Japonpa kaspi qara wachaykunaman rikchakuq, chaymi khuru hinallataq mawk'a rikch'ayta quwan. Ukhunpiqa yana uqi Karesansui pacha rikch'ay, huk challwa qucha, hinallataq huk atrio nisqa, p'unchaw k'anchayta hinallataq pachamamata chay k'uchuman apamun. Iskay mikhuna k'itikunam kachkan: huk kicharisqa counter, chunka iskayniyuq tiyanakunayuq wayk'una muyuriqpi, chaymantapas sapaq boxes nisqakuna. Cipres, teca, mana llimpisqa kaspi, rumiman rikch'akuq materialkuna, hinallataq Baizou, huk material qhichwa usphamanta astawan ruwasqa, unuq huk'utayninta hinallataq wayk'una q'apayninta pisiyachin.
The Recognition
About the A' Design Award Qullqi Premiu
Yamaki Zushi Mikhuna Wasi Ukhu Wasichay A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Yamaki Zushi Mikhuna Wasi Ukhu Wasichay ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Yamaki Zushi Mikhuna Wasi Ukhu Wasichay achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- First, the restaurant exterior is made of hardware in the shapes of weatherboard inspired by Japanese wooden weatherboards; the vintage-like facade appearance has created a sense of roughness through the added layers. Old materials are reused by continuing the original red brickwork technique from the former restaurant to this new space; yet, wooden bricks are applied instead of red bricks and have inherited the collage characteristics of the original design. The red brickwork and weatherboard designs have transferred the imagery and atmosphere of the former shop while adding a sense of Japanese.
- Dimensions & Packaging
- The interior is built on the core of (the co-existence of men and nature). It has outlined the sense of (rough rustic) through the Karesenzui-like cement walls, shale-like materials, fish pond, tree sceneries, and atrium. At the same time, many wooden materials are applied for a spatial extension, creating the maximum richness in low-convergence changes of materials. The interior is decorated with gratings and window flaring that connected the Karesenzui landscaping at the entrance, practicing the core of this spatial design concept.
- Tags
- Dining space, Japanese, eco-friendly materials, Karesenzui, cypress.
- Production Technology
- Rusted iron, unpainted wood, cypress, teak, rock-imitated materials, Cadoni flooring, Baizou, rocks.
Baizou is a material recycled from volcano ashes in Japan. It could eliminate formaldehyde while decreasing moisture and smells. - Design Challenge
- With the advantage of free deployment, how to combine the client requirements with spatial arrangements to create a smooth traffic flow for employees and customers was one of the critical issues of this design. Finally, the designer mixed the overall structure with materials and construction method; combining different materials in the same tone such as cypress, unpainted wood, and teak with Baizou allows the space to decompose residual smells of cooking effectively.
- Research
- The exterior is built in a rain staircase shape with rust-imitated materials; the use of vintage-like materials has intentionally given guests the first impression of roughness. After entering the interior, a dark-grey Karesenzui scenery shows up, and the dark-toned space has used an atrium method to draw daylight from outdoors. An open-end dining area and VIP boxes are introduced after the hallway; different materials in the same tone are applied to create a spatial extension. Unordered layers are created using cypress, unpainted woods, teak, rock-imitated materials, and Cadoni flooring.
- Inspiration
- Aesthetics and simplicity develop this design concept. The spatial is divided by rough and delicate methods inside out, allowing users to experience different atmospheres between the transformation of areas.
- Project Duration
- The project finished in May 2021 in Taiwan.
- Operation Flow
- The overall spatial is mainly divided into two dining areas. One is the open-end counter area that contains twelve seats; these seats surround the cooking station. The square-shaped arrangement has echoed with the wooden diagonal planes on the disordered ceiling; also, the wooden tile screens have all together shown a peaceful atmosphere in the same tones. The other seating area is designed as private boxes; the steady, low-key wooden materials surround the seats with hardware screens.
- Team Members
- Yu-Fan Kao, Wei-Hua Lin
- Image Credits
- DRAWIN DESIGN STUDIO
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