Takuji Kamio nisqap Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy diseñon

Takuji Kamio nisqap Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2022 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiUkupi· 2022

Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy

Takuji Kamio rurasqa

Mañakuq: Miyoshi Corporaiton

Ukupi T'aqapi A' Design Award Burunsi Premiu Atipaq

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Taripasqa Premio Atipaq

#132066 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy nisqamanta

Ching Ming Kyoto nisqaqa huk Chinasuyu mikhuna wasi ukhunpi kachkan, tren tiyana wasipi, Kyoto llaqtapi, Japón nacionpi. Pampa kikinta 110 metro cuadrados nisqata huqarin. Kamachikuykunaqa wasi patanta (techo) chiqnichirqan, chayrayku k'anchayqa warkusqa karqan, ima arte hina qhawarisqa. Sirp'i k'anchaykuna kimsa k'uchuyoq (triángulo) rikch'aypi ruwasqa, hinaspa tukuyninpi tinkusqa muyuriyta tiyana ukhukunata. Wasi patanqa yana llimp'iwan llimp'isqa, sirp'iyoq hinallataq muyu rikch'ay k'anchaykunata sut'inchanapaq. Perqakunataq old Chinasuyu willakuykuna imaginanwan (oleo pinturawan) qatasqa, chaywan tupachisqa geometría rikch'ayniyoq dibujokuna, hinallataq pampa azulejo grafikakunapiwan.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Ching Ming Kyoto Mikhuna Wasi Ukhu Kamachiy mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Tupukuna & P'istuy: Floor Area : 110 square meter
Etiquetakuna: Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Ruway Tecnología: For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Diseño Sasachakuy: Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
T'aqwiy: The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Kallpachay: Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Llamk'ay Pacha: From September 2018 to March 2019 in Kyoto, JAPAN
Purichiy Puriy: Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patentekuna: Ichii Kamiodesign
Huñu Runakuna: Takuji Kamio
Ray Keida
Siq'i Hayñikuna: Satoru Umetsu, nacasa and partneres