Samiqman pasay
Weixian He and Baoyang Wei nisqap The Land of Rocks Rikuchina Wasi diseñon

Weixian He and Baoyang Wei nisqap The Land of Rocks Rikuchina Wasi diseñonqa Rantiy Rikuchina Kamay Atipanakuy T'aqapi 2023 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.


QullqiRantiy Rikuchina· 2023

The Land of Rocks Rikuchina Wasi

Weixian He and Baoyang Wei rurasqa

Mañakuq: Wise Space Aesthetics

Rantiy Rikuchina T'aqapi A' Design Award Qullqi Premiu Atipaq

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Llinphikuna

Diseñomanta

The Land of Rocks Rikuchina Wasi nisqamanta

Rumikunapa Llaqtan sutiyuq kaqqa huk pisi pachallapaq rikuchina wasim, sinterasqa rumi ruraqpaq 2020 watapi Guangzhou Diseño Semanapi ruwasqa. Kay rikuchina wasiqa 180 metro cuadradota hap'in. Chawpi wichq'asqa chawpi kichasqa churaynin watukuqkunata imaymana ñanninta pusarin, hinaspa churasqa perqakunapi kuchusqa t'uqukuna rumipa llimp'inkunata hawamanta ukhumantapas rikunapaq saqin. Rumi T'ika sutiyuq huk q'iwi q'iwi ruray chay rikuchina pampapa chawpinpi sayarin. Kay diseñoqa sinterasqa rumipa, tiyanapa, llaqtapa ima tinkuynintam rikunapaq hinallataq yachanapaq facilta ruwan.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

The Land of Rocks Rikuchina Wasi A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. The Land of Rocks Rikuchina Wasi ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. The Land of Rocks Rikuchina Wasi achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta
"Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Tupukuna & P'istuy
180sqm
Etiquetakuna
Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Ruway Tecnología
Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Diseño Sasachakuy
The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
T'aqwiy
From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Kallpachay
What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Llamk'ay Pacha
The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Purichiy Puriy
To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Huñu Runakuna
Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Siq'i Hayñikuna
Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu

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Allin Diseñoqa Hatun Riqsiyta Meresen

A' Design Award nisqaqa tukuy suyukunamanta allin diseñopaq juradowan qhawasqa premiom. A' Design Award nisqapi yaykuy, meresisqa riqsiyta, sutiyuq kayta, hatunchayta, ruwayniykipaq riqsichiyta tarinaykipaq. Ruwayniykita A' Design Award nisqapaq akllasqa kachun, munasqa A' Design Prize nisqapaq atipanakunaykipaq.

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