Qiuwen Luo nisqap 272 Gallery Achka Ruway Kaq Pacha diseñon

Qiuwen Luo nisqap 272 Gallery Achka Ruway Kaq Pacha diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2022 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruWasichiy· 2022

272 Gallery Achka Ruway Kaq Pacha

Qiuwen Luo rurasqa

Mañakuq: Foshan A Thing of Beauty Art Communication Co.,Ltd

Wasichiy T'aqapi A' Design Award Fierru Premiu Atipaq

9,756

Taripasqa Premio Atipaq

#140001 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

272 Gallery Achka Ruway Kaq Pacha nisqamanta

272 Gallery nisqaqa achka ruway kaq pachami, Foshan, China llaqtapi kaq hukña wasita allichaspa ruwasqa. Kay wasiqa kimsa ruwayta hunt'an: ñawpa pachamanta muyublista k'anchayta rikuchiy, arte gallery hinaspa sapallan huñunakuy pacha. Pisi t'ikrayllawan llamk'asqa karqan, chayrayku ñawpaq pachamanta terrazzo pampakuna hinaspa k'aspi wasi patanpi maytukuna sayasqallataq qhipakurqan. Fierro wasi patanpi maytukuna, mana llut'asqa pino k'aspi, hinaspa qhispi rumi pirqakuna yapasqa karqan. Tukuy ukhu pachapi puñuyninkuna qichusqa karqan, wasikunata huñunanpaq hinaspa kachariq rikhurichiykunata ruwananpaq. Ventanakunaqa allin churasqa karqan, ayllu suyupi hatun sach'akunata k'anchaq hina rikuchinankupaq.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

272 Gallery Achka Ruway Kaq Pacha A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. 272 Gallery Achka Ruway Kaq Pacha sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta 272 Gallery Achka Ruway Kaq Pacha yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: An experimental renovation practice, "272 Gallery" is a renewal of architectural space which transforms the original residence into three basic functions of medieval furniture display, art gallery and private gathering, so as to inject art and cultural elements into the old community. To touch the memory of the city, making people aware of the charm of the blocks. The city and architecture are closely connected through a pleasant environment, diversified cultural and artistic activities.
Tupukuna & P'istuy: As the structural form of the original building limits the possibility of space reconstruction, while the third floor serves as a venue for furniture display and regular art exhibition, in order to meet the mobility between spaces and is conducive to exhibition and sightseeing, we demolish all the doors of the original house to form the experience of space integration. Due to the elimination of the door element, the relationship between rooms becomes equal, so as to meet the flexibility of carrying all kinds of art exhibitions.
Etiquetakuna: gallery, interior design, architecture, renovation, structure design
Ruway Tecnología: In the use of materials, we continue the principle of minimization. In addition to the unpainted pine and glass brick walls on the third floor, the external guardrails of the stairs and the courtyard are all made of iron. Due to the heavy feeling and the property of easy oxidation of iron, it matches the character of space and strengthens the atmosphere of space. For cost consideration, we chose to retain the original cast-in-place terrazzo floor and wall mechanism, wooden handrails of stairs, balancing the relationship between the old and the new.
Diseño Sasachakuy: How is the environment be used in the renovation of new buildings? In order to achieve a kind of "minimum" intervention, we try to have the consultation dialogue with space. Where should be demolished, repaired or added? All the demolished parts will be truthfully reflected in the new environment, and on the contrary, the new parts will overlap with the original traces, which is a game process between the new and the old, so as to establish a new spatial order.
T'aqwiy: The project is located in Foshan, China, a historical city with rich cultural heritage. Taking the renewal of the old city as the research goal, using the limited budget, we attempted to do multi-point partial renewal and transformation of the old buildings in the aging community. The existing unused or semi abandoned space is transformed into art galleries, design studios, bookstores, etc. These activates the overall community atmosphere, so as to bring culture and business back to people's daily life. It has been widely influenced by the local society and changed the diversified mode of life of local people.
Kallpachay: The city expansion accelerates along with the constant development of information. At the same time, a fierce renewal inside the city which is like a surging whirlpool is absorbing all kinds of resources radially from the center to the surrounding. In the situation of increasingly scarce resources, the re-use of the "old part" of the city is coming up as a new solution. We always feel that the environment is shaped by people, but also shape the people there.
Llamk'ay Pacha: The project started in October 2019 and finished in April 2020 and is located in No.27-2 Chuihong Rd. Chuihong community of the center of Chancheng district, Foshan City, Guangdong, China
Purichiy Puriy: Benefit from the big trees planted in the community, the height of the tree crown has reached three or four stories, which provides an intoxicating green vision and shelter for the whole site, and also brings a quiet atmosphere. Facing the rare scenery of the city center, we have carefully designed the windows in different directions and positions. Looking from the interior to the exterior, it seems that the windows themselves have disappeared, in order to perfectly present the pure green.
Huñu Runakuna: Qiuwen Luo, Zhixu Wang, Licen Ye
Siq'i Hayñikuna: Image #1, Image#2, Image#3, Image#4, Image #5: Photographer Chao Zhang, 2021