Kyan Foo nisqap Andaman Wasi Ukhun Kamachiynin Resort-paq diseñon

Kyan Foo nisqap Andaman Wasi Ukhun Kamachiynin Resort-paq diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2024 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruUkupi· 2024

Andaman Wasi Ukhun Kamachiynin Resort-paq

Kyan Foo rurasqa

Mañakuq: Forte Design Partners

Ukupi T'aqapi A' Design Award Fierru Premiu Atipaq

10,628

Taripasqa Premio Atipaq

#155602 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Andaman Wasi Ukhun Kamachiynin Resort-paq nisqamanta

Andaman nisqaqa Xinchang llaqtapi kaq resort wasip ukhun kamachisqanmi. Kay kamachiyqa yana-yuraq llimp'ita Hui rikch'aq wasikamaymanta hap'ispa, Jiangnan tinta pintasqa qhawarichiyta yuyarichin. Ukhu k'itiqa kimsa pisupi kaq wasipi 1128 metro kuchuyuq p'ampata jap'in. Runa tantanakuy ruraykunaqa ñawpaq pisupi churasqa, punchu wasikunataq patapi, kaqllataq kusisqa hinaspa ch'in k'itikunata rakinku. Ñawpaq pisuqa: chayamuy qillqana barrata, suyay hinaspa almusu mikhuna k'itita – patamanta uraman qispi wasariywan –, hinaspa mikhuna wasita jap'in. Microcemento llimp'iqa wasikunaman huch'uy sumaq ruwasqa qara rikch'ayta qun. Sapa patapi kaq punchu wasiqa sapanka huk yachaywanmi ruwasqa kachkan.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Andaman Wasi Ukhun Kamachiynin Resort-paq A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Andaman Wasi Ukhun Kamachiynin Resort-paq sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Andaman Wasi Ukhun Kamachiynin Resort-paq yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The overall resort adopts black and white colors of Hui-style architecture to present the charm of Jiangnan ink painting. The interior space involves the public area on the first floor and the accommodation area on the second floor, achieving dynamic and static separation. The public area on the first floor presents the form of vacation life, and the reception function is carried out with the theme of Boutique, fully meeting the needs of multi-functions. The second and third floors have different themes to give each room a unique experience. Different themes are suitable for different room types to fully meet the requirements of various tourists.
Tupukuna & P'istuy: The ground building has three floors and covers an area of 376 square meters.
The interior design area is 1128 square meters;
Features: Hotel accommodation.
Etiquetakuna: Nature, Abstraction, Jiangnan style, Art, Localism
Ruway Tecnología: The original building, built of traditional mortar and cement before the renovation. After renovation, color paint was deliberately used to distinguish the exterior wall from the surrounding buildings.The interior design uses microcement paint to reflect the simple texture, so that the outdoor nature can be used as a backdrop. Moreover, designers try to to integrate the social area of the guest room with a kitchen to create enough space for family and friends gathering.
Diseño Sasachakuy: The client wanted to bring the cosmopolitan and international atmosphere to the project, so they hired different high-quality overseas firms to participate in the design and construction period. One of the challenges was the coordination of the various design partners working across time zones, such as adjusting time zones and videotaping the construction process. The beneficial effect is that the resort does reflect the backgrounds and styles of designers from different countries.
T'aqwiy: The whole research process is oriented by geographical environment, the project conducts research and connects it to design. Specifically speaking, observe the light and shadow effect produced by natural light in different time periods and the atmosphere expressed, visualize the building through modeling, and simulate different human behavior flow lines and light and shadow effects to collect data and analyze them one by one.
Kallpachay: The design is inspired by the surrounding environment, which refers to the Nineteen Peaks Scenic Area in Xinchang and the self-built houses with a rural style. The resort integrates with the Jiangnan style and the surrounding environment to become a part of the local context. The interior design is inspired by the natural mountains, water and stones of the Nineteen Peaks Scenic Area, the natural environment of the scenic area is brought into the space through the application of materials and abstract techniques, and then the overall space texture is enhanced by the embellishment of artworks.
Llamk'ay Pacha: The project started in February 2022 in Xinchang and finished in October 2022 in Xinchang.
Purichiy Puriy: Two sets of traffic flow lines are designed, with the front and rear sections used to organize traffic for internal staff and external customers. The external flow line extends from the lobby to the front section, where people can see the checkin bar. The waiting and breakfast area on the left adopt floor-to-ceiling glass design, which is spacious and unblocked; the special restaurant on the right is cut off by the art wall and floor-to-ceiling glass, which ensure the visual effect and privacy requirements. Internal staff access the rear section through the back door, which has lounge, toilet, elevator, stairwell, etc.
Huñu Runakuna: Design Director: Kyan Foo
Interior Design: Yuzi Zhou
Visual Design: Sophia Rou
Siq'i Hayñikuna: Image #1-5: Photographer Zhongyi Fan, 2023.