Junlin Zhang nisqap Janus Bar Ukhu Wasip Diseñon diseñon

Junlin Zhang nisqap Janus Bar Ukhu Wasip Diseñon diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2024 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiUkupi· 2024

Janus Bar Ukhu Wasip Diseñon

Junlin Zhang rurasqa

Mañakuq: Janus

Ukupi T'aqapi A' Design Award Qullqi Premiu Atipaq

19,836

Taripasqa Premio Atipaq

#156360 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Janus Bar Ukhu Wasip Diseñon nisqamanta

Janus nisqaqa huk whisky cocktail ima upyana wasi kachkan, Changsha llaqtapi, China suyupi. Ukhu wasiqa yaqa 200 metro cuadrado kapun, iskay patapi churasqa. Ñawpaq uyanqa yana geometrico rumikunawan ruwasqa, unay pacha kaqniyoq detallekunawan; huk warkusqa patapitaq unay pacha ruwasqa rumi ruruta churasqa kachkan. Ñawpaq pataqa yanapaq kiti, iskay kaq patataq kuraq huñunakuy kiti, wasi hanaqmanta kicharisqawan inti kanchayta chaskin. Chakanakuna qhawana pataqa mana sinchi hap'isqa k'ullu tusaykunata apachkan, chaykunataq llamp'u waqayta hina hoq'ariykachiyta chaki sarusqapi qun. Sayaq siq'iyoq k'ullu qaracha, rirpu hina lliphlliq mana ismuq quriwan ima chay kitipa samayninta ruwanku.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Janus Bar Ukhu Wasip Diseñon A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Janus Bar Ukhu Wasip Diseñon ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Janus Bar Ukhu Wasip Diseñon achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
Tupukuna & P'istuy: 200 meter-square
Etiquetakuna: bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
Ruway Tecnología: What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Diseño Sasachakuy: I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
T'aqwiy: I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
Kallpachay: When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
Llamk'ay Pacha: The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
Purichiy Puriy: When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
Huñu Runakuna: Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang
Siq'i Hayñikuna: Ueya photography（Lei Liu）