Jui-Ping Lee nisqap New Year Siq'ichay diseñon

Jui-Ping Lee nisqap New Year Siq'ichay diseñonqa Iñikik Sumaq Ruray Kamay Atipanakuy T'aqapi 2024 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruIñikik Sumaq Ruray· 2024

New Year Siq'ichay

Jui-Ping Lee rurasqa

Iñikik Sumaq Ruray T'aqapi A' Design Award Fierru Premiu Atipaq

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Taripasqa Premio Atipaq

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Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

New Year Siq'ichay nisqamanta

Huk thak kanchapi, chiri pachapa ritinwan phukusqapi hinaspa phuyu pachapa k'ancharaq raphikunawan, huk sumaq runami Kimono nisqa sumaq p'achawan tiyakun. Kay rikuyqa Wabisabi nisqapa yuyayninta apamun, sapalla kaypa sumaq kayninta hinaspa thak kayta rikuchispa. Llamp'u rikch'aykuna p'achata allichasqa, aswanta Pino sachakuna yupaychayta qawachispan; Seigaiha nisqa takiytaq mama quchapa thak kayninta rikuchin. Aswan qayllamanta qhawarispapqa, aswan ch'iqan riqsiykunatan tarinki, huk rumi lawapi siq'iqpa sutinchasqa sutinmi ichuq kaq ladopi; Kimono patapitaq ukucha siq'iykuna kashan, musuq wata 2020ta, ukuchakunapa watanta rikuchispa.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

New Year Siq'ichay A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. New Year Siq'ichay sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta New Year Siq'ichay yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Tupukuna & P'istuy: Original dimensions at 5600*3150 px, with 935 canvas layers
Etiquetakuna: Illustration, Kimono, Furisode, Kouyou, Karesansui
Ruway Tecnología: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Diseño Sasachakuy: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
T'aqwiy: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Kallpachay: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Llamk'ay Pacha: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Purichiy Puriy: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.