Ariane Rosa nisqap Fragments Wiñaypaq K'anchayniyuq Imakuna diseñon

Ariane Rosa nisqap Fragments Wiñaypaq K'anchayniyuq Imakuna diseñonqa Wiñay Kawsay Ruray Kamay Atipanakuy T'aqapi 2025 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruWiñay Kawsay Ruray· 2025

Fragments Wiñaypaq K'anchayniyuq Imakuna

Ariane Rosa rurasqa

Mañakuq: Ariane Rosa Arquitetura e Design

Wiñay Kawsay Ruray T'aqapi A' Design Award Fierru Premiu Atipaq

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Taripasqa Premio Atipaq

#168949 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Fragments Wiñaypaq K'anchayniyuq Imakuna nisqamanta

Fragmentos nisqaqa huk huñum wiñaypaq k'anchayniyuq imakunamanta, musuqyachisqa mármolmanta ruwasqa, chaytaq mana chayqa wikch'unapaq karqan. Sapa imapas (t'ikapi churanakuna, nina k'anchaqkuna, huk ladopi mesacha) huk muyuriq ruway ñanta qhatipun, maypim huk imamanta ukhunqa huk imapaq qallariy ima tukupun. Kay musuq rurayqa imamanta allin llamk'ayta aswan wiñachin, mármolpa sallqa sumaq kayninta waqaychaspa. Chaymanta kanqa huk mana mit'akuyuq huñu, kunan pacha sumaq kayta yuyaysapa makiwan ruwaywanpas hukllachin, puchukuqkunata esculturakunapaq ruwaykunaman t'ikrachin.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Fragments Wiñaypaq K'anchayniyuq Imakuna A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Fragments Wiñaypaq K'anchayniyuq Imakuna sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Fragments Wiñaypaq K'anchayniyuq Imakuna yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Fragments is a collection of decorative objects crafted from discarded marble, transforming waste into timeless design pieces. Each object, tables, vases, and candle holders, is carved from the core of another, ensuring zero material waste. The collection embodies sustainability, craftsmanship, and contemporary aesthetics, making each piece a unique work of art that merges innovation with environmental consciousness.
Tupukuna & P'istuy: The Fragments collection includes:

Vases: 500 x 100 mm, 400 x 100 mm, 300 x 100 mm
Candle holders: 400 x 50 mm, 350 x 50 mm, 300 x 50 mm
Side table: 300 mm diameter tabletop, 450 mm height

All pieces are crafted from solid marble, ensuring durability and a timeless aesthetic. The collection follows a zero-waste production approach, where each object is carved from the core of another.
Etiquetakuna: Sustainable design, circular economy, upcycled marble, luxury decor, eco-friendly furniture, zero waste, contemporary design, high-end craftsmanship, material innovation, timeless aesthetics
Ruway Tecnología: Fragments is crafted using advanced stone-cutting techniques combined with traditional craftsmanship. Each piece is extracted from the core of another, utilizing precision CNC machining to maximize material efficiency. The finishing process includes hand-polishing and sealing to enhance durability while preserving the natural beauty of the marble. This innovative method ensures zero waste, transforming discarded stone into elegant, sustainable design objects.
Diseño Sasachakuy: The biggest challenge was transforming discarded marble into a cohesive collection without generating additional waste. The nested design required precise CNC cutting to ensure each piece emerged from the core of another, demanding extensive material studies and prototyping. Balancing sustainability with high-end aesthetics was also crucial, proving that circular design can align with luxury without compromising quality or visual appeal.
T'aqwiy: The research explored circular design in furniture and decor, focusing on repurposing discarded marble. Using CNC cutting techniques, we developed a modular, nested approach that minimizes waste, achieving nearly zero material loss. This innovation merges sustainability with luxury, proving that high-end design can be both responsible and beautiful. The study promotes a shift in the industry, encouraging more conscious material use and sustainable product development.
Kallpachay: Fragments was born from the desire to give new life to discarded marble, transforming waste into timeless design. Inspired by nature's ability to reshape materials over time, the collection follows an organic process: each piece emerging from the core of another. This approach not only minimizes waste but also highlights the beauty of imperfection, embracing sustainability as both a concept and an aesthetic principle.
Llamk'ay Pacha: The project started with an idea in March 2023 in Itajai, Santa Catarina, and was completed in September 2024 in Itapema, Santa Catarina, where it was launched to the public in a signature showcase at Araucaria Moveis.
Purichiy Puriy: Fragments invites interaction through its sculptural presence and modular concept. The pieces can be displayed individually or as a set, creating a harmonious composition. The vases, candle holders, and table share a design language that emphasizes continuity, as each emerges from the core of another. This approach not only enhances visual cohesion but also reinforces sustainability, offering a conscious and elegant way to incorporate natural materials into everyday spaces.
Siq'i Hayñikuna: Photos by Alisson Lima Morais