Marius Mateika nisqap Clay Moulded Teatro Ukhu Wasip Diseñun diseñon

Marius Mateika nisqap Clay Moulded Teatro Ukhu Wasip Diseñun diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2025 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriUkupi· 2025

Clay Moulded Teatro Ukhu Wasip Diseñun

Marius Mateika rurasqa

Mañakuq: Mama architects

Ukupi T'aqapi A' Design Award Quri Premiu Atipaq

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Taripasqa Premio Atipaq

#171457 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Clay Moulded Teatro Ukhu Wasip Diseñun nisqamanta

Clay Moulded nisqaqa Klaipeda llaqtapi, Lituania suyupi, huk takiy teatroq ukhu wasip diseñunmi. Llut'aq allpa (arcilla) perqakunata hinallataq hanaq pirqakunata p'ampan, chaymanta 30 tonelada aswan chay materialtaqa makiwanmi churakurqa. Hatun salonpa diseñonqa mana p'itisqa purin, huk kuchumanta wak kuchukama chay espaciopi. Kay llamk'aypaqmi qanchis pataq llut'ay ruwayta wakichirqaku: ch'aqchuy, diseñowan churay, ch'akichiy, qhaquy, llusiy, hinallataq waqaychaypas. Perqakunapas hanaq pirqakunapas kicharikuyta wichq'akuytapas atinku uyariy kutimuyninkunata kamachinapaq, chaymi kay espacioqa concierto nisqakunaman, teatro pukllaykunaman, huñunakuykunamanpas yachakun. Chay auditoriopiqa 700 runakunam tiyayta atinku.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

Clay Moulded Teatro Ukhu Wasip Diseñun A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Clay Moulded Teatro Ukhu Wasip Diseñun ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Clay Moulded Teatro Ukhu Wasip Diseñun munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Tupukuna & P'istuy: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Etiquetakuna: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Ruway Tecnología: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Diseño Sasachakuy: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
T'aqwiy: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Kallpachay: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Llamk'ay Pacha: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Purichiy Puriy: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Huñu Runakuna: Architects: Marius Mateika
Siq'i Hayñikuna: Photographer: Leonas Garbačauskas