Tonerico:Inc. nisqap Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi diseñon

Tonerico:Inc. nisqap Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiUkupi· 2026

Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi

Tonerico:Inc. rurasqa

Ukupi T'aqapi A' Design Award Qullqi Premiu Atipaq

20,490

Taripasqa Premio Atipaq

#174328 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi nisqamanta

Shibuya Tsutaya nisqaqa huk qhatu wasikuna huñusqa hatun wasim, Tokio llaqtapi Shibuya Crossing chakana ñanpi tarikun. Chay wasitaqa tullunkama ch'utirqanku, hinaspa q'ala kuchukunataqa uqi rikch'aq materialkunawan huñurqanku, chaywan huk ch'usaq lliw ruwanapaq hina hallch'a kananpaq. Iskay uray pacha patakunamanta hinallataq qanchis hanaq patakunamantapas sapankan kikin kayninwan kachkan, ichaqa llapan kuchukunataqa yuyaywanmi mana tukusqata saqirqanku, hamuq pachapi tikrakuyta atinanpaq. Mana ancha necesitasqa imakunataqa hurqurqanku, chaywan ch'uya qhawaykuna hinallataq mana sasa purinakuna kananpaq. Yaqa 500 tiyanakunas chaymanta digital pusaq willakuykunas watukuqkunata yanapanku, hinaspa wasi uyanpi huk hatun qhawana willakuykunata hinallataq raymikunamanta willakuykunata rikuchin.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Shibuya Tsutaya Qhatu Wasikuna Huñusqa Hatun Wasi achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation.
Tupukuna & P'istuy: On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines.
Etiquetakuna: Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
Ruway Tecnología: To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space.
Diseño Sasachakuy: Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands.
T'aqwiy: Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
Kallpachay: Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform.
Llamk'ay Pacha: The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
Purichiy Puriy: Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses.
Huñu Runakuna: Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki
Siq'i Hayñikuna: Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.