Yen Chang Chen nisqap The Kaobei Kulturata Ch'usaq Rikuchiq Vaso diseñon

Yen Chang Chen nisqap The Kaobei Kulturata Ch'usaq Rikuchiq Vaso diseñonqa Willachiy Kamay Atipanakuy T'aqapi 2026 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriWillachiy· 2026

The Kaobei Kulturata Ch'usaq Rikuchiq Vaso

Yen Chang Chen rurasqa

Mañakuq: Yuan Ze University

Willachiy T'aqapi A' Design Award Quri Premiu Atipaq

46,801

Taripasqa Premio Atipaq

#178404 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

The Kaobei Kulturata Ch'usaq Rikuchiq Vaso nisqamanta

Kulturata Ch'usaq Rikuchiq Vaso nisqaqa Taiwan llaqtapi kunan pacha popular kulturamanta huk sapaq kaqta hap'iyta atina kultura ruwaymanhina tikrayta munaspam kamachikurqan. Internetpi ashkha runakuna riqsisqan huk fenómeno nisqamanta yuyaymanaspa, chaymi asichikuyta, burlakuyta, hinaspa sociedadmanta rimayta huñun, kay ruwayqa imaynatam llaqta rimay producto diseño nisqaman tikrakunman chayta maskan. Digital kultura hinaspa kurku experiencia nisqata t'inkispam, kay diseñoqa kulturata yuyayta waqaychan, llaqtaruna churakuyta kallpanchan, hinaspa llaqta identidadmanta huñusqa rimaymantawan yuyaymanay atina ñanta qun.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

The Kaobei Kulturata Ch'usaq Rikuchiq Vaso A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. The Kaobei Kulturata Ch'usaq Rikuchiq Vaso ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. The Kaobei Kulturata Ch'usaq Rikuchiq Vaso munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The KaoBei Cup is a ceramic design that transforms vernacular language into a functional communication interface. It goes beyond conventional products by integrating language, object, and social interaction into a scalable cultural system. By materializing informal expressions, it creates a new form of engagement that connects everyday use with digital sharing and cultural participation.
Tupukuna & P'istuy: Dimensions: approx. 90 mm (W) × 90 mm (D) × 100 mm (H); capacity approx. 300 ml.
Material: high-fired porcelain with glazed finish.
Production: slip casting with decal transfer printing and kiln firing.
Packaging: recyclable paper box with protective insert.
Series-based design with multiple typographic variations ensuring consistency and scalability.
Etiquetakuna: vernacular design, cultural communication, language-based design, product system, emotional interaction, typographic design, social engagement, everyday object, cultural identity, design innovation
Ruway Tecnología: The KaoBei Cup is produced using ceramic slip casting with high-fired porcelain for durability and fine detail. The vernacular typography is developed through iterative graphic translation and applied using precision decal printing and kiln firing. The process integrates linguistic research, visual abstraction, and material prototyping to ensure consistency across series production.
Diseño Sasachakuy: The main challenge was translating informal vernacular language into a culturally acceptable and functional design without losing its original tone. Balancing humor, sensitivity, and readability required careful iteration. Another difficulty was standardizing non-structured expressions into consistent visual forms for production. The project addressed these through linguistic analysis, typographic refinement, and prototyping, ensuring both authenticity and scalability.
T'aqwiy: This project is qualitative design research exploring how vernacular language can be transformed into product-based communication. The objective is to materialize everyday expressions into interactive objects. Methods include linguistic observation, visual translation, and prototyping. Data were collected from daily speech and digital communication patterns. Tested through real-world use in cultural contexts. Results show increased engagement and sharing. Insights reveal language can function as a cultural interface, impacting design, communication, and cultural industries.
Kallpachay: The KaoBei Cup is inspired by the everyday vernacular expressions widely used in contemporary communication, particularly those shaped by digital culture. These phrases, often casual, humorous, and emotionally expressive, have evolved into a shared linguistic system reflecting how people interact and connect in daily life.

The project explores how language can move beyond text and speech to become a tangible cultural medium. By transforming commonly spoken expressions into physical objects, the design materializes intangible communication and repositions it within everyday use.

The inspiration also emerges from the contrast between informal language and formal cultural contexts. Expressions that are typically considered trivial or marginal are recontextualized into designed objects, creating a dialogue between everyday culture and institutional spaces. This approach has been applied in museum and social communication settings, where the design enables audiences to engage with cultural content through familiar language and interactive experience.

Ultimately, the project is driven by the idea that design can translate ordinary language into a shared cultural interface, allowing people to express emotions, build connections, and reflect collective memory through everyday objects.
Llamk'ay Pacha: The project started in 2024 in Taiwan and was completed in early 2025. It was implemented in museum retail and social media contexts, where it was presented as part of cultural promotion initiatives. The design continues to be developed and expanded as a series-based product system.
Purichiy Puriy: Users interact with the Kao Bei Cup through daily use, where each printed phrase expresses a specific emotion or attitude. The cup functions as a conversation starter, allowing users to communicate indirectly through language embedded in the object. Its interaction extends beyond physical use to social sharing, enabling engagement across both personal and digital contexts.