Maja Zinczuk nisqap Liminalis Foto hurquy diseñonqa Rikchay Hapiy Kamay Atipanakuy T'aqapi 2026 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.
FierruRikchay Hapiy· 2026
Liminalis Foto hurquy
Maja Zinczuk rurasqa
Mañakuq: Maya Zet
Rikchay Hapiy T'aqapi A' Design Award Fierru Premiu Atipaq
Taripasqa Premio Atipaq
#179332 nisqapaq Premio Kayninta TaripayDiseñomanta
Liminalis Foto hurquy nisqamanta
Kay foto llamk'ayqa Biebrza Wayq'utam t'aqwin, Europa suyupi tukukuy hatun qullpa pampa kawsaykunamanta hukninmi. Phuyunta, qhawariykunata, kuyuq k'anchaytawan chimpaspa, kay tantasqaqa qullpa pampakunapa upalla tikrakuyninkunata, kay kawsay muyup llulla thakiykunata hap'in. Documento qhawariyta hukmanta rikuy simiwan chapuspa, allillamanta qhawayta, pisi pachamama tikraymanmi astawan sunquwan hap'ikuyta minkakun. Wayrapi, ch'inpi, pachapi churakuspa, kay llamk'ayqa pachamama, yuyay, runa kaywan chawpi llulla prequiyta yuyaymanan.
Riqsichiy
A' Design Award Fierru Premiu nisqamanta
Liminalis Foto hurquy A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Liminalis Foto hurquy sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Liminalis Foto hurquy yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.
Diseño Qhipanpi
Prensa Kit
Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.
- Sapaq Kayninkunamanta
- Biebrza is a photographic series portraying one of Europe's most pristine wetland landscapes. The images explore the interplay of light, mist, and water, emphasizing the rhythm and transience of marsh ecosystems. The project merges documentary clarity with artistic interpretation, creating a quiet narrative about the fragility and timelessness of nature.
- Tupukuna & P'istuy
- Digital photographic series produced in high-resolution RAW format using Alpha 7 III camera, without post-production.
- Etiquetakuna
- landscape photography, wetlands, nature conservation, fine art photography, environmental awareness, minimalism, atmosphere, Polish landscape
- Ruway Tecnología
- The project was realized using digital photography techniques focused on natural light.
- Diseño Sasachakuy
- The primary challenge was capturing the essence of an ever-changing landscape while preserving its silence and authenticity. Environmental constraints, weather unpredictability, and ethical considerations related to wildlife protection required patience, adaptability, and a non-invasive approach to image-making.
- T'aqwiy
- Type of Research: Artistic and observational research.
Research Objectives: To visually document and interpret wetland landscapes.
Methodology: Field observation and photographic exploration.
Data Collection and Tools Used: Digital photography, field notes.
Participants or Experiments: Solo fieldwork.
Results: A cohesive photographic series.
Insights and Impacts: Increased awareness of fragile ecosystems and landscape perception. - Kallpachay
- The project was inspired by the Biebrza Valley as a rare, almost untouched natural environment. Observations of seasonal changes, shifting light, and water levels formed the conceptual foundation. The series reflects a contemplative approach to landscape photography and a desire to preserve the visual memory of vulnerable wetland ecosystems.
- Llamk'ay Pacha
- The project was developed during summer 2025 in the Biebrza Valley, Poland. Photographs were taken across multiple seasons to document environmental changes and atmospheric conditions characteristic of the region.
- Purichiy Puriy
- The project invites viewers to engage through quiet observation rather than direct interaction. Sequential viewing reveals subtle changes in light, space, and mood, encouraging a slower pace of perception. The images function collectively as a visual narrative, allowing the audience to experience the landscape as a contemplative and immersive environment.
- Huñu Runakuna
- Solo project.
- Siq'i Hayñikuna
- Image #1: Maja Zińczuk, Morning Fog, 2025.
Image #2: Maja Zińczuk, Wetland Horizon, 2025.
Image #3: Maja Zińczuk, Silent Marsh, 2025.
Image #4: Maja Zińczuk, Waterline, 2025.
Image #5: Maja Zińczuk, Dusk Over Biebrza, 2025.
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