Dimitris Potiropoulos nisqap Arboris Chaskiwasi diseñonqa Paqariq Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.
BurunsiPaqariq· 2026
Arboris Chaskiwasi
Dimitris Potiropoulos rurasqa
Mañakuq: Undisclosed
Paqariq T'aqapi A' Design Award Burunsi Premiu Atipaq
Taripasqa Premio Atipaq
#180089 nisqapaq Premio Kayninta TaripayDiseñomanta
Arboris Chaskiwasi nisqamanta
Zlatibor sutiyuq hatun pampapi churasqa, llampu muyuq urqukunapa, sach'a-sach'akunapa, kicharisqa pampakunapa chawpinpi, Arboris chaskiwasi huñusqaqa hukmanyasqa pacha mama tinkuykunapa, watanakuykunapa chawpin muyu hinam yuyaychasqa. Kimsa muyu volumenninkunaqa Stopica Machaymanta yachaywanmi paqarin, chaypin ukhu pacha kalsayuq wirp'akuna kikin kaqmanta muyu formakunaman tukusqa. Kay pacha tupuqa tukuy lawman mana p'akikuq panorama kicharikuykunatam atichin, hatarichisqa forma paypa muyuriq pacha mamanwanpa musuq rimanakuyninta sayarichispa.
Riqsichiy
A' Design Award Burunsi Premiu nisqamanta
Arboris Chaskiwasi A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Arboris Chaskiwasi sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Arboris Chaskiwasi mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.
Diseño Qhipanpi
Prensa Kit
Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.
- Sapaq Kayninkunamanta
- The building geometry allows for uniform, panoramic openings in all directions, redefining the relationships between architecture and landscape. The three ring shaped formations develop around a central outdoor core, creating a kind of protected hollow. The circular courtyards function as vertical light wells while simultaneously extending the landscape into the interior of the buildings.
- Tupukuna & P'istuy
- The surrounding landscape is defined by a large water surface and extensive planting. The lake acts as the primary reference point, offering a calm, natural backdrop to the overall experience, while simultaneously contributing, together with the greenery, to a microclimatic regulation. The hard surfaces of the outdoor areas, composed of natural and recycled materials, allow for water infiltration, have a low energy footprint, long lifespan, and minimal maintenance requirements.
- Etiquetakuna
- architecture, hospitality, hotel, Serbia, design
- Ruway Tecnología
- The extensive wooded landscape of Zlatibor directly informed the materiality of the project. The timber louvers of the facade imply the rhythm of the surrounding forest while providing solar shading and enhancing the energy performance of the building envelope. Integrated with glazed surfaces, the shading elements reflect the environment, allowing the building volumes to visually transform and acquire an almost landscape quality.
- Diseño Sasachakuy
- The dialogue between ARBORIS Hotel and the natural landscape of Zlatibor emerges as a primary experiential element, defining the way the complex is conceptualised and takes form.
- T'aqwiy
- The narrative is deeply embedded in a continuous process of hiding, revealing, and engaging between the user and nature. Within this interactive and creative approach, architecture functions as a mechanism of integration between modes of inhabitation determined by the landscape, movement patterns and views, constructing a coherent experience deeply connected to its natural surroundings.
- Kallpachay
- On the elevated plateau of Zlatibor, among mildly sloping hills, forests, and open flat areas, the ARBORIS Hotel tourist complex is conceived as a node within a complex network of landscape conditions. The three circular volumes draw their inspiration from Stopica Cave, a system of underground limestone basins formed in natural circular geometries. The rationale of these concave forms served as an influence on the overall scheme geometry, distinct circular units organized around an internal courtyard, shaping a clear spatial character.
- Llamk'ay Pacha
- Design 2025
Location Zlatibor, Serbia - Purichiy Puriy
- Τhe green roofs of the buildings, providing outdoor lounging areas and viewing points, contribute both to the environmental performance of the complex and to the perception of a continuity across the landscape and the built forms. Although distinct in presence, the three buildings are integrated into the plateau s ecosystem, interact with the landscape and emphasize the natural character of the terrain.
- Huñu Runakuna
- Architectural Design Potiropoulos+Partners
3D Visualization Potiropoulos+Partners - Siq'i Hayñikuna
- Architectural Design Potiropoulos+Partners
3D Visualization Potiropoulos+Partners
Auspiciasqa
Designers.org nisqamanta Aswan Karuman T'aqwiy
Avisokunata qhawachiq yanapaqniykukunamanta productokunata, serviciokunatawan riqsiy.
Astawan T'aqwiy
Tinkisqa Diseñokuna
Kikin categoríamanta premioyuq diseñokunata t'aqwiy, allin kayninman hina akllasqa.