Atsushi Kawaguchi nisqap Ishidaya Ruray: Japón Mikhuna Wasi diseñon

Atsushi Kawaguchi nisqap Ishidaya Ruray: Japón Mikhuna Wasi diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiUkupi· 2026

Ishidaya Ruray: Japón Mikhuna Wasi

Atsushi Kawaguchi rurasqa

Mañakuq: Ishidaya

Ukupi T'aqapi A' Design Award Burunsi Premiu Atipaq

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Taripasqa Premio Atipaq

#180958 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Ishidaya Ruray: Japón Mikhuna Wasi nisqamanta

Ishidaya nisqaqa huk japón mikhuna wasin Hanoi llaqtapa chawpi cheqanpi kashan. Kay ruraymi Taisho Roman nisqata churakun, chay pachaqa japón hinallataq western kawsaykuna tinkusqanku pacha karqan, chaywanmi japón sumaq rikch'aywan wasipa western kayninwan chawpinchan. Huk k'ullumanta ruraymi mostrador patapi ñawpaq ruraywan Art Deco geometría nisqawan huñun, hinaspa hatun rikuna kaqhina kachkan. Manam adorno hinallachu, aswanpas k'anchaywan hukniraq qhawana cheqanpiwanmi rikchayta paqarichin. Chaymi huk allin allichasqa cheqan kachkan, kawsay hawachanakunata patanpi patanpi churaspa, hinaspa Hanoi llaqtapi kunan pacha mikhuymanta sut'i sut'inchayta qun.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Ishidaya Ruray: Japón Mikhuna Wasi A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Ishidaya Ruray: Japón Mikhuna Wasi sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Ishidaya Ruray: Japón Mikhuna Wasi mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Tupukuna & P'istuy: Renovation of existing buildings
Etiquetakuna: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Ruway Tecnología: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Diseño Sasachakuy: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
T'aqwiy: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Kallpachay: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Llamk'ay Pacha: The project started in August 2024 in Hanoi and finished in April 2025.
Purichiy Puriy: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Siq'i Hayñikuna: All photos / HIROYUKI OKI