Jung Ki Min nisqap Great Blue Hole Wallqa diseñon

Jung Ki Min nisqap Great Blue Hole Wallqa diseñonqa Walka Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiWalka· 2026

Great Blue Hole Wallqa

Jung Ki Min rurasqa

Walka T'aqapi A' Design Award Burunsi Premiu Atipaq

8,583

Taripasqa Premio Atipaq

#182523 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Great Blue Hole Wallqa nisqamanta

Great Blue Hole nisqa wallqaqa Belize suyupi kaq chay kikin sutiyuq mama qucha ukhu t'uqumanta yuyaychasqa kachkan. Kay ruwayqa huk hatun pachamama rikch'ayta churakuna sculptural rikch'ayman t'ikrachin. Patan patan churasqa metal rakikunaqa imaymana sayayniyuq q'aytu alambrekunawan huqarisqa kachkanku, ahinapi hatun rikch'ayta chaymanta ukhu kayta paqarichinapaq. Kuchuna, hich'ana, esmalte churana, rumi churana, takana chaymanta repousse nisqa ruwaykunawan rikch'aykunata hinallataq hawan llamp'ukunata ruwakurqan. Kay wallqaqa 130 mm kinrayniyuq, 15 mm ukhuyniyuq, 75 mm sayayniyuqmi, huk 450 mm perla q'aytuyuq ima. Ukhunchik kuyuriyqa k'anchayta patan patankunapi t'ikrachin.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Great Blue Hole Wallqa A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Great Blue Hole Wallqa sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Great Blue Hole Wallqa mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Tupukuna & P'istuy: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Etiquetakuna: silver, necklace, jewelry, natural
Ruway Tecnología: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Diseño Sasachakuy: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
T'aqwiy: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Kallpachay: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Llamk'ay Pacha: The project started in August 2018 in New York, USA, and was completed in May 2019.
Purichiy Puriy: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Siq'i Hayñikuna: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.