Ecust Creplus Design nisqap Longmen Realm Rikuchiy Wakichiy Diseño diseñon

Ecust Creplus Design nisqap Longmen Realm Rikuchiy Wakichiy Diseño diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiUkupi· 2026

Longmen Realm Rikuchiy Wakichiy Diseño

Ecust Creplus Design rurasqa

Mañakuq: Lingshan Museum

Ukupi T'aqapi A' Design Award Burunsi Premiu Atipaq

6,763

Taripasqa Premio Atipaq

#183008 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Longmen Realm Rikuchiy Wakichiy Diseño nisqamanta

Longmen Realm nisqa rikuchiyqa 76 ñawpa ruwasqakunata Longmen Grottoes nisqamanta rikuchin, chaykunapi Buda rumi ruwasqakuna, rumi llaqllasqakuna, hinaspa qillqa laqasqakuna ima kanku. Kay diseñoqa museo ukhu pachata musuqmanta wakichin, pacha allinchaywan, churasqa ruwasqakunawan, k'anchariywan ima, sut'i qhawayta hinaspa hamut'ayta yanapananpaq. Warkusqa banderakuna, lliphipiq pampa, hinaspa hukllachasqa k'anchariy ima huk allin wakichisqa qhaway muyuriqta ruwanku. Purispa ruwanakuna watukuqkunata kallpachan yaykunankupaq hinaspa foto hurqunankupaq, chaywan llapa runakuna cultura saqiwasqanchikman aswan allinta chayayta atinku.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Longmen Realm Rikuchiy Wakichiy Diseño A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Longmen Realm Rikuchiy Wakichiy Diseño sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Longmen Realm Rikuchiy Wakichiy Diseño mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
Tupukuna & P'istuy: Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
Etiquetakuna: Longmen Grottoes, Exhibition Design, Installation, Museum Space
Ruway Tecnología: The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
Diseño Sasachakuy: The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
T'aqwiy: The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
Kallpachay: The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
Llamk'ay Pacha: The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
Purichiy Puriy: Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
Huñu Runakuna: Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI
Siq'i Hayñikuna: Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group