Chloe Marcela Coelho nisqap Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi diseñon

Chloe Marcela Coelho nisqap Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi diseñonqa Ayllu Kamay Atipanakuy T'aqapi 2020 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruAyllu· 2020

Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi

Chloe Marcela Coelho rurasqa

Mañakuq: Chloe Marcela Coelho

Ayllu T'aqapi A' Design Award Fierru Premiu Atipaq

18,158

Taripasqa Premio Atipaq

#88749 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi nisqamanta

Uncomfortable Immersion nisqaqa, wañusqa runakunapa aylluyoq waynakunapaq llakikuy yanapaq herramienta wasim kan. Kay herramienta wasiqa huk pusaq qelqaman chaninchakun, kaymi wayna runakunata yanapan sapa kaq ritual kaqkunata ruwananpaq, hinaspa llakikuyninkuta paykunapa yachaynin hina apananpaq. Huk yuyarina t'iqispam kuyasqa runapa firmanmanta ruwasqa kachkan, PLA nisqawan 3D imprimisqa, hinaspa qollqe qori rakinakuywan (sterling silver) hich'asqa. Huk seda p'achataqmi wañusqa runapa kartanwan imprimisqa kachkan, thermochromic tinta nisqawan, kaymi 27 grados centígrados patapi ch'uya tukun, chaymi rimaykuna llamiywan rikhurin. Runamanta chaskisqa diseño ruwana kaqkunam kay llamk'ayta pusaran, kaymi huk aya p'anpay qhipatapas unayta yanapayta munan.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Uncomfortable Immersion Llakikuy Yanapaq Herramienta Wasi yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The project explores the way that our society deals with grief; particularly in adolescents. It considers the emotional complexities within grief and the socio-cultural misconceptions. Using Human-Centred Design, a grief book was created to guide the bereaving to construct ritual objects which help the adolescent process and comprehend at their own pace, while maintaining important metaphysical relationships with the deceased. Personal autonomy was strongly encouraged in their grief journey.
Tupukuna & P'istuy: 'Without Expectation' by Chloe Marcela Coelho - Width 176 mm x Depth 5 mm x Height 250 mm
Signature Pendant - Width 35 mm x Depth 2 mm x Height 50 mm
Grief Scarf - Width 900 mm x Depth 0.5 mm x Height 900 mm
Etiquetakuna: Grief, Death, Ritual, Empathy, Social Impact, Adolescence, Support, Mourning, Pendant, Scarf
Ruway Tecnología: The companion artefact to the grief book, 'Without Expectations', was a pendant made from the signature of a loved one which was 3D printed in PLA and cast in sterling silver. The grief scarf uses a unique black thermochromic ink that becomes transparent above 27C. This was infused into silk containing a printed letter from their lost loved one, that only appears with the ritualistic gesture of touch. The novel manufacturing process for the resultant scarf required many iterations to perfect.
Diseño Sasachakuy: Institutionalized death has misconstrued grief in our society. Grievers are expected to avoid emotional depth and showing vulnerability, especially for teenagers. This alienates and discourages teenagers from dealing with grief in a healthy manner. During vast physical and mental changes, reworking identities and shifting parental dynamics, a loved one's death is crushing. While initial support around the funeral is crucial, support is often scarce months after a death when it's needed most.
T'aqwiy: Uncomfortable Immersion uses human-centred and service design ideas to provide an empathic toolset for grieving adolescents. Extended research into existing literature, interviews about loss and evaluation from psychologists and deathcare specialists provided a foundation for new concepts around grief care. The project has been heavily requested and discussed in relation to personal memorials and discourse in deathcare field. As well allowing exploration of my personal experience of loss.
Kallpachay: Grief is a universal aspect of the human condition that is rarely discussed in western society, which often frames grief as a 'stage' for people to overcome with most support occurring during the funeral. However, new frameworks suggest that grief is an ongoing process. This leaves long-term grievers without support or agency, creating unnecessary suffering. Embracing my personal experience of losing my mother at thirteen has shown me that grief is not something to be rushed or prescribed.
Llamk'ay Pacha: The project was started in March 2018 as part of the Honours Project in Bachelor of Industrial Design (Honours) at RMIT University (City Campus). The project was completed in November of 2018.
Purichiy Puriy: Without Expectation is a practical guide for adolescents in a time of loss. It approaches the subject with sensitivity, that respects the maturity and hardship the teenager has unwittingly embarked upon. Through the use of approachable stories about grief and transformation, the user is informed of harmful fallacies that are common in western society. It promotes concepts of death literacy and ritualism in mourning, including a memorial pendant and a scarf with handwriting from the deceased.
Patentekuna: Copyrights belong to Chloe Marcela Coelho, 2019