Masaru Eguchi nisqap The Japanese Forest Fotografía diseñon

Masaru Eguchi nisqap The Japanese Forest Fotografía diseñonqa Rikchay Hapiy Kamay Atipanakuy T'aqapi 2020 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiRikchay Hapiy· 2020

The Japanese Forest Fotografía

Masaru Eguchi rurasqa

Mañakuq: Sunpono

Rikchay Hapiy T'aqapi A' Design Award Qullqi Premiu Atipaq

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Taripasqa Premio Atipaq

#95058 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

The Japanese Forest Fotografía nisqamanta

Hapun Sach'a-sach'aqa Hapunpa yachay-iñiyninmanta hurqusqa. Huk ñawpa Hapun yachay-iñiyninqa Animismo sutiyuqmi. Kay Animismoqa kayta creycun: mana runa kaqkunallapas, aswanpas mana kawsaq kaqkunapas (rumikuna, rurasqa imakuna) hinaspa mana rikukuq kaqkunapas munay-yuyayniyuqmi kanku. Fotografíaqa kaymanmi rikchakun. Masaru Eguchiqa ima ruwaypi sentimientota paqarichiq chaytam fotografian. Sach'akuna, qhurakuna, rumikunapas kawsaypa munayninwan sientekunku. Chantapis rurasqakuna, represakuna hina pachamamapi unay tiempota qhipasqakuna, munaynintataqmi sientekunku. Imaynachus qankuna mana tupachisqa naturalezata qhawankichik, hamuq pacha kunaq pachaq rikuchiyninkunata qhawanqa.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

The Japanese Forest Fotografía A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. The Japanese Forest Fotografía ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. The Japanese Forest Fotografía achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Tupukuna & P'istuy: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Etiquetakuna: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Ruway Tecnología: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Diseño Sasachakuy: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
T'aqwiy: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Kallpachay: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Llamk'ay Pacha: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Purichiy Puriy: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patentekuna: Copyright: Masaru Eguchi
Siq'i Hayñikuna: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.