Xiangxin Huzhou Songyuanli Design Interior Rezidențial by Zhijun Zhong is a highly esteemed winner of the very prestigious 2023 A' Design Award de Argint in Design Interior Competition Category.
ArgintInterior· 2023
Xiangxin Huzhou Songyuanli Design Interior Rezidențial
by Zhijun Zhong
Client: Herabenna
A' Design Award de Argint Winner in Interior Category
Verified Award Winner
Verify Award Status for #148815The Design
About Xiangxin Huzhou Songyuanli Design Interior Rezidențial
Xiangxin Huzhou Songyuanli este un design interior rezidențial care servește totodată drept casă prototip prezentată publicului. Proiectul acoperă 696 de metri pătrați în Huzhou, provincia Zhejiang, China. Arhitectura se inspiră din construcțiile tradiționale Huizhou, cu pereți albi și țigle negre. În interior, cristalul și metalul sunt combinate, iar obiectele din aur și argint și picturile antice completează încăperile. Mobilierul folosește mătase locală din Huzhou. Tehnicile tradiționale de gravură, broderie și amenajare a grădinilor sunt îmbinate cu un stil de viață modern, astfel încât locuința răspunde nevoilor proprietarului și ale vizitatorilor.
The Recognition
About the A' Design Award de Argint
Xiangxin Huzhou Songyuanli Design Interior Rezidențial a câștigat A' Design Award de Argint, o recunoaștere extraordinar de prestigioasă acordată designurilor de top, superbe și impresionante. Câștigătorii Argintului sunt lucrări extraordinar de strălucite și extrem de creative, care ilustrează expertiza, talentul și perspicacitatea remarcabile ale designerilor lor. Se așteaptă ca Xiangxin Huzhou Songyuanli Design Interior Rezidențial să fie o lucrare minunată, de referință, remarcabil de profesionistă și profund inovatoare. Acest design câștigător al A' Design Award de Argint este o invenție foarte notabilă și admirată, care aduce beneficii și împinge limitele artei, științei, designului și tehnologiei. Xiangxin Huzhou Songyuanli Design Interior Rezidențial este o creație extrem de invidiată, care trezește dorințe, aduce sentimente pozitive și stârnește uimire și mirare.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
- Dimensions & Packaging
- 696 square meters
- Tags
- Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
- Production Technology
- Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.
In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.
The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude. - Design Challenge
- "Fusion is a better reservation"
In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through. - Research
- n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
- Inspiration
- When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
- Project Duration
- This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
- Operation Flow
- This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.
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