Porous Manifold Ceainărie Japoneză by Ryumei Fujiki and Yukiko Sato is a highly esteemed winner of the very prestigious 2019 A' Design Award de Argint in Artă Plastică Competition Category.
ArgintArtă Plastică· 2019
Porous Manifold Ceainărie Japoneză
by Ryumei Fujiki and Yukiko Sato
Client: F.A.D.S + Fujiki Studio, KOU::ARC
A' Design Award de Argint Winner in Artă Plastică Category
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About Porous Manifold Ceainărie Japoneză
Acesta este o ceainărie japoneză temporară expusă în Echigo-tsumari Art Triennale 2018 și are o structură imbricată cu două tatami încorporate într-un pătrat de 10 metri pătrați. În această expoziție, arhitecții au fost rugați să răspundă la tema cum să depășească conceptul de spațiu omogen care era dominant în secolul al XX-lea. Scheletul a fost proiectat folosind modelul aleatoriu numit Divizia Voronoi pentru a distorsiona spațiul omogen. Și s-a propus ca arhitectura cu un număr mare de găuri să poată fi deschisă și închisă la nevoie pentru a comunica cu exteriorul ca un lucru viu.
The Recognition
About the A' Design Award de Argint
Porous Manifold Ceainărie Japoneză a câștigat A' Design Award de Argint, o recunoaștere extraordinar de prestigioasă acordată designurilor de top, superbe și impresionante. Câștigătorii Argintului sunt lucrări extraordinar de strălucite și extrem de creative, care ilustrează expertiza, talentul și perspicacitatea remarcabile ale designerilor lor. Se așteaptă ca Porous Manifold Ceainărie Japoneză să fie o lucrare minunată, de referință, remarcabil de profesionistă și profund inovatoare. Acest design câștigător al A' Design Award de Argint este o invenție foarte notabilă și admirată, care aduce beneficii și împinge limitele artei, științei, designului și tehnologiei. Porous Manifold Ceainărie Japoneză este o creație extrem de invidiată, care trezește dorințe, aduce sentimente pozitive și stârnește uimire și mirare.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - Dimensions & Packaging
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - Tags
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- Production Technology
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- Design Challenge
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - Research
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - Inspiration
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - Project Duration
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - Operation Flow
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - Patents
- F.A.D.S + Fujiki Studio, KOU::ARC
- Team Members
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - Image Credits
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
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