The Armor Primary Function: Umwambaro wa Tiyatiri na Samantha Chijona Garcia and Vladimir Cuenca

Umushinga The Armor Primary Function: Umwambaro wa Tiyatiri wa Samantha Chijona Garcia and Vladimir Cuenca ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Ubuhanzi bwo ku Buhagararire.

IfezaUbuhanzi bwo ku Buhagararire· 2020

The Armor Primary Function: Umwambaro wa Tiyatiri

na Samantha Chijona Garcia and Vladimir Cuenca

Umukiriya: Jazz Martinez Gamboa

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Ubuhanzi bwo ku Buhagararire

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #102743

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye The Armor Primary Function: Umwambaro wa Tiyatiri

Book Text: Iyi Ntwaro y'Umubiri ni umwambaro wa tiyatiri wakoreweho umuntu witwa Richard III mu kina cya Shakespeare cyakinnwe ku rubuga. Uyu mwambaro ukozwe mu bikoresho byongewe gukoreshwa n'ibitakiri gukoreshwa. Imirongo y'icyuma idodwa ku ijaketi ryakozwe mu myenda ya twill, mu gihe uduhu tw'inzoga tw'amaguru twegeranyijwe dukora imiterere itandukanye ihuzwa n'imikaba y'uruhu n'ibipangu. Ikanzu y'urukururu rw'icyuma ifunga ipfundikizo, naho ingofero y'amaboko yashyizwemo ibice by'icyuma ikora nk'ingofero y'umutwe. Ibice bitandatu bishobora kongerwaho cyangwa gukurwaho uko umuntu ahinduka mu gihe cy'ikina. Iyi imiterere igaragaza umwami hamwe n'umuntu udakomeye uba muri we.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

The Armor Primary Function: Umwambaro wa Tiyatiri ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. The Armor Primary Function: Umwambaro wa Tiyatiri biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. The Armor Primary Function: Umwambaro wa Tiyatiri ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Ibipimo n'Ipaki: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Ibibazo Fatizo: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Ikoranabuhanga ryo Guteza Imbere: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Ikibazo cy'Ishusho: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Ubushakashatsi: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Ibyatumye Habaho: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Igihe cy'Umushinga: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Uburyo bw'Imikorere: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patente: Copyrights belong to Chijona, Samantha, 2018
Abagize Itsinda: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Abafotoye: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018