Past at Last Imyambarire Irambye na Tihana Miksa

Umushinga Past at Last Imyambarire Irambye wa Tihana Miksa ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imyambarire.

IfezaImyambarire· 2021

Past at Last Imyambarire Irambye

na Tihana Miksa

Umukiriya: Tihana Mikša

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imyambarire

36,948

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #113802

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Past at Last Imyambarire Irambye

Mu mbikwa ry'imyambaro, hashimangirwa imiterere itangaje, ikina n'amabara atandukanye. Kubw'iyo mpamvu, imyambaro ubwayo ifite imiterere iringaniye, yoroshye kandi ifunze nta mpinduka zikomeye ku miterere yayo. Ibi bicuruzwa bisuzuma ishusho, ibyiyobye, ibikoresho, imigendekere y'ubuzima n'imigendekere y'imyubakire by'imyenda. Amabara afite imbaraga nke kandi nta bara bidasanzwe, usibye umutuku ukanyeganyega muri urwo rwego rwera.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Past at Last Imyambarire Irambye ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Past at Last Imyambarire Irambye biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Past at Last Imyambarire Irambye ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Ibibazo Fatizo: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Ikoranabuhanga ryo Guteza Imbere: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Ikibazo cy'Ishusho: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Ibyatumye Habaho: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Igihe cy'Umushinga: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Abafotoye: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.