Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba na Yu Lung Lee

Umushinga Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba wa Yu Lung Lee ni uwatsinze igihembo cyubahwa cyane 2022 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

IcyumaImbere y'Inyubako· 2022

Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba

na Yu Lung Lee

Umukiriya: HOLY Design

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #130542

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba

Umwandiko w'Igitabo: Yearning for Home ni igishushanyo cy'imbere cy'inzu yo kuba, kandi gishobora gukoreshwa mu kazi. Igishushanyo cy'umwimerere cyafunguwe, hasigara icyumba kimwe cyo kuraramo gihujwe n'ikindi cyumba cya kabiri, bigatuma umwanya wumva ari munini. Ipenti y'igiseminari y'umukungugu cyera itwikira urukuta rwa terevizyo n'inzugi z'ibanga z'icyumba cyo kuraramo, icyumba cy'ububiko, hamwe n'ubwiherero bw'abashyitsi, kandi igaragaza inyandiko zihinduka z'urumuri n'igicucu. Imiterere igoramye igabanya ubukana bw'imirongo y'inkingi n'imirongo mikuru, mu gihe urumuri rutunganijwe mu mirongo rushyizwe mu mubiri w'inzu kugira ngo rukoreshwe nijoro. Ikanzu n'ameza y'ifunguro afite imiterere itambitse bikoreshwa nk'ahantu ho gukorera. Inkuta zabitswe zirimo icyegeranyo cy'ubuhanzi bw'umukiriya.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Yearning for Home Igikorwa cy'ibanze: Igishushanyo cy'imbere cy'inzu yo Kuba yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
Ibipimo n'Ipaki: Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
Ibibazo Fatizo: Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
Ikoranabuhanga ryo Guteza Imbere: Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
Ikibazo cy'Ishusho: To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
Ubushakashatsi: The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
Ibyatumye Habaho: Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
Igihe cy'Umushinga: The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
Uburyo bw'Imikorere: The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
Abagize Itsinda: Yu-Lung Lee, Szu-Hui Wang
Abafotoye: Chuang-Chieh Chiu