Villa Gilbam Inzu y'Icyicaro na Davood Boroojeni

Umushinga Villa Gilbam Inzu y'Icyicaro wa Davood Boroojeni ni uwatsinze igihembo cyubahwa cyane 2022 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ubwubatsi.

BuronzeUbwubatsi· 2022

Villa Gilbam Inzu y'Icyicaro

na Davood Boroojeni

Umukiriya: Davood Boroojeni Office

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Ubwubatsi

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #132788

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Villa Gilbam Inzu y'Icyicaro

Villa Gilbam ni inzu y'icyicaro iherereye ku muhanda w'umusozi mu karere ka Siahkal, mu majyaruguru y'Iran. Ubuso bw'iyi site ni hafi metero kare 750, kandi igabanuka ku kigero cya 10 ku ijana uhereye iburasirazuba ujya iburengerazuba. Inzu ihagaze mu burasirazuba bw'ubutaka, ku gice kimwe cy'urukiramende rungana na metero 8 ku 15 aho hari hubatswe inyubako yabanjirije iyi, bityo umubano n'ubutaka ukagira imbibi zigaragara. Ibice bibiri byegamiye hanze (cantilevered volumes) bikomoka ku mfatiro nyamukuru mu rwego rwo hasi n'urwo hejuru, ntibikoreho ubutaka. Ibi bice bitatu bishyizwe mu buryo bugoramye kugira ngo bishyireho umwanya rusange wo hagati, ufite indorerwamo nziza y'imisozi ikikije.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Villa Gilbam Inzu y'Icyicaro ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Villa Gilbam Inzu y'Icyicaro biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Villa Gilbam Inzu y'Icyicaro ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
Ibipimo n'Ipaki: Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
Ikoranabuhanga ryo Guteza Imbere: The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
Ikibazo cy'Ishusho: The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Ubushakashatsi: The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
Ibyatumye Habaho: Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Igihe cy'Umushinga: The design of the project started in June 2016 and finished in December 2016 in Tehran.
Uburyo bw'Imikorere: One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
Abagize Itsinda: Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari
Abafotoye: Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.