Looping Flower Umwanya w'Umuco wa Ikebana na Ni Jie Guo

Umushinga Looping Flower Umwanya w'Umuco wa Ikebana wa Ni Jie Guo ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2024

Looping Flower Umwanya w'Umuco wa Ikebana

na Ni Jie Guo

Umukiriya: Blankspace

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #151842

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Looping Flower Umwanya w'Umuco wa Ikebana

Ubuhanzi bwa ikebana ni ugutekereza cyimbitse ku buzima mu guhinduka kw'ibihe bine by'umwaka, harimo gufata ibihe bigufi by'umwihariko mu bwiza bw'ubuhanzi bw'Ubuyapani, kubaka ubuzima bw'indabyo n'amashami, hamwe no guhuza mu buryo bushya imiterere n'ubwiza. Imiterere y'umwanya wose yashingiye ku mwuka wa Kusatsuki-ryu, ikurikiza ibintu byakuwe mu bwubatsi gakondo bw'Ubuyapani ikabihindura mu rurimi rw'ubwubatsi rwa kijyambere, igasesengura isano riri hagati y'ubwubatsi bwa none n'ubwiza bw'ubuhanzi hakoreshejwe ibintu by'Ubuyapani bidafite imiterere yihariye.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Looping Flower Umwanya w'Umuco wa Ikebana ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Looping Flower Umwanya w'Umuco wa Ikebana biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Looping Flower Umwanya w'Umuco wa Ikebana ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Ibipimo n'Ipaki: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Ibibazo Fatizo: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Ikoranabuhanga ryo Guteza Imbere: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Ikibazo cy'Ishusho: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Ubushakashatsi: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Ibyatumye Habaho: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Igihe cy'Umushinga: The project started in August 2022 and finished in December 2022 in China .
Uburyo bw'Imikorere: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Abagize Itsinda: NI JIE GUO
Abafotoye: BLANKSPACE