Jinglan Bay Art Ikigo cy'Ubucuruzi na Nic Lee

Umushinga Jinglan Bay Art Ikigo cy'Ubucuruzi wa Nic Lee ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

IfezaImbere y'Inyubako· 2024

Jinglan Bay Art Ikigo cy'Ubucuruzi

na Nic Lee

Umukiriya: China Resources Land South China Guangxi Co.

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #152974

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Jinglan Bay Art Ikigo cy'Ubucuruzi

Jinglan Bay Art ni imbere y'ikigo cy'ubucuruzi giherereye i Liuzhou, agace k'imisozi kariho amazi anyura mu buryo bunyuranye. Imbere y'inyubako ifite ubuso bwa metero kare 1705 kandi ikubiyemo ahakirirwa abashyitsi, aho kugurishirizwa, aho kwerekanwa ibintu, ahakoreshwa ikoranabuhanga ry'itangazamakuru n'ahantu h'abashyitsi b'icyubahiro (VIP). Aho gukoporora imiterere y'ahantu binyuze mu mashusho, urumuri n'igicucu byakoreshejwe kugira ngo bigaragaze imisozi miremire n'amazi maremare. Terrazzo y'umukara yakuweho umucyo kugeza igeze ku rwego rw'indorerwamo, ku buryo ibigaragara hanze n'ingendo z'abashyitsi bigaragarira muri yo. Ibuye ritanoze ku muryango w'inyubako rirema ubujyakuzimu bw'ikibaya. Ibindi bikoresho birimo marimari yabajwe, irangi rikomoka ku mabuye y'agaciro, ibiti by'umukara na oak.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Jinglan Bay Art Ikigo cy'Ubucuruzi ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Jinglan Bay Art Ikigo cy'Ubucuruzi biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Jinglan Bay Art Ikigo cy'Ubucuruzi ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Ibipimo n'Ipaki: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Ibibazo Fatizo: sales center, landscape, museum, indoor architecture, interior design
Ikoranabuhanga ryo Guteza Imbere: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Ikibazo cy'Ishusho: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Ubushakashatsi: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Ibyatumye Habaho: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Igihe cy'Umushinga: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Uburyo bw'Imikorere: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Abafotoye: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.