Move Umumaro Nyamukuru: Intebe na Ariel Sliwinski

Umushinga Move Umumaro Nyamukuru: Intebe wa Ariel Sliwinski ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

BuronzeImitako· 2024

Move Umumaro Nyamukuru: Intebe

na Ariel Sliwinski

Umukiriya: Ariel Śliwiński Studio

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imitako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #156196

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Move Umumaro Nyamukuru: Intebe

Umwandiko w'Igitabo: Move ni intebe yateguwe kugira ngo ihuze n'imiterere y'umubiri wa buri muntu ndetse n'ibyifuzo bya ergonomike. Aho umuntu yicara hashobora guhindura uburyo bwo kuzunguruka nk'urutega, mu gihe umugongo w'intebe ushingiye ku duce tubiri duhuriza hamwe, bigatuma umugongo w'intebe ushobora kuzunguruka no kuzamuka/kumanuka. Icyuma cyumva umuvuduko (pressure sensor) cyashyizwe mu gice cyo kwicaraho gikangurira ukoresha intebe kuhagarara nyuma y'igihe runaka binyuze mu kunyeganyega. Ubwubatsi bw'iyi ntebe bukozwe mu cyuma cya aluminium cyubatswe hifashishijwe ibikoresho byose byongeye gukoreshwa (fully recycled content), naho aho umuntu yicara, umugongo w'intebe hamwe n'amaboko yayo byakozwe mu gikoresho cya cork cyabajwe hifashishijwe uburyo bwa five-axis milling. Intebe ya Move ishobora kwegeranywa n'ukoresha ubwe kandi itwarwa mu mabokisi yorohereza gutunganya (flat boxes), bigatuma habaho kugabanuka kw'ingaruka ku bidukikije ziturutse ku bwikorezi (carbon footprint).

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Move Umumaro Nyamukuru: Intebe ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Move Umumaro Nyamukuru: Intebe biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Move Umumaro Nyamukuru: Intebe ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Ibipimo n'Ipaki: 550mm x 515mm x 740mm
Ibibazo Fatizo: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
Ikoranabuhanga ryo Guteza Imbere: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Ikibazo cy'Ishusho: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Ubushakashatsi: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Ibyatumye Habaho: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Igihe cy'Umushinga: the project started in April 2023 in Poland
Uburyo bw'Imikorere: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.