The Opposite Icyegeranyo cy'Imyenda Ibobwe na Yishu Yan

Umushinga The Opposite Icyegeranyo cy'Imyenda Ibobwe wa Yishu Yan ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imyambarire.

IfezaImyambarire· 2024

The Opposite Icyegeranyo cy'Imyenda Ibobwe

na Yishu Yan

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imyambarire

662,508

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #157237

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye The Opposite Icyegeranyo cy'Imyenda Ibobwe

The Opposite ni icyegeranyo cy'imyenda ibobwe yambarwa n'abagabo n'abagore (unisex), yagenewe kwambarwa mu buryo butandukanye. Iki cyegeranyo cyakozwe hakoreshejwe uburyo budasaba gukata igitambaro kandi budasesagura (zero-cut na zero-waste), bityo nta gitambaro kijugunywa. Kuboha hakoreshejwe ikoranabuhanga rya digitale bikoreshwa mu gukora imiterere y'ibipimo bitatu yorohereka n'imyubakire y'imyambaro ishobora guhinduka. Ibintu bigize imyambarire ibiri bishobora gusimburanwa no guhuzwa mu buryo butandukanye, bigatuma buri wese uyambaye ashobora kwirema uburyo bwe bwite bwo kwambara. Igishushanyo cy'ingano imwe ikwiranye na bose (all-size) gikwiranye n'abantu benshi bafite igihagararo gisanzwe. The Opposite ibaza ibitekerezo bimenyerewe ku myambaro y'abagabo n'iy'abagore.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

The Opposite Icyegeranyo cy'Imyenda Ibobwe ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. The Opposite Icyegeranyo cy'Imyenda Ibobwe biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. The Opposite Icyegeranyo cy'Imyenda Ibobwe ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Ibipimo n'Ipaki: This garment is an all-size design and will fit most people of average build.
Ibibazo Fatizo: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Ikoranabuhanga ryo Guteza Imbere: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Ikibazo cy'Ishusho: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Ubushakashatsi: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Ibyatumye Habaho: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Igihe cy'Umushinga: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Uburyo bw'Imikorere: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Abagize Itsinda: Academic adviser: Kinor Jiang & Jinyun Zhou
Abafotoye: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova