Fashionable Guan Gong Imyambaro y'Urubuga na Liangi Wu and Chihsiang Li

Umushinga Fashionable Guan Gong Imyambaro y'Urubuga wa Liangi Wu and Chihsiang Li ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imyambaro y'Umuco.

ZahabuImyambaro y'Umuco· 2024

Fashionable Guan Gong Imyambaro y'Urubuga

na Liangi Wu and Chihsiang Li

Umukiriya: Liangi International Co., Ltd

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Imyambaro y'Umuco

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #159623

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Fashionable Guan Gong Imyambaro y'Urubuga

Yakuye ibitekerezo mu myambaro ya Guan Gong, imana yakorerwa ibikorwa mu Rusengero rwa Puji i Daxi, muri Tayiwani, rifite umurage w'umuco utagaragara w'amashyaka arenga ijana. Iki gikorwa girasohora uburyo umuco w'imana zo mu burasirazuba ugaragazwa binyuze mu gutunganya impande eshatu bwo mu burengerazuba. Icyarimwe, gikoresha algorithm za digitale kugira ngo gukoreshe tekinoroji y'imyenda mu bikorwa gakondo byo gucukura intango ku rukoko, hagamijwe kugabanya uburemere no kongerera uburambe. Ubukerarugero nyamukuru ni udukarango tw'imyenda twacukuwe intango, ubunangirakaringa, n'uko hakoreshewe ibikoresho bitandukanye mu gushushanya imyambaro y'ikinamico y'amoko.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Fashionable Guan Gong Imyambaro y'Urubuga ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Fashionable Guan Gong Imyambaro y'Urubuga biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Fashionable Guan Gong Imyambaro y'Urubuga itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The innovation of this design is mainly reflected in the application of The fabric incorporates cross-disciplinary textile production applications, utilizing embroidered fabric labels, embroidery techniques, and lace to simulate traditional embroidery craftsmanship with both design and innovative applications. The integration of digital improvements into traditional embroidery processes accelerates production time, resulting in a fashionable yet culturally distinctive performance costume. This approach transforms the costume into a decorative art form, adding tension and expressiveness. The application of traditional embroidery patterns infuses the artwork with vibrant.
Ibipimo n'Ipaki: Variable sizes
Ibibazo Fatizo: Stage Wear, Fashion design, National costume, Label, Embroidery, Traditional craft culture, Creative design, Costume, Culture creative, Installation art
Ikoranabuhanga ryo Guteza Imbere: The primary techniques involve materials and applications of embroidered fabric labels, embroidery, and mixed media. Applying the embroidered fabric label technique to create traditional embroidered lions involves infusing Spun Polyester thread in the middle of this material for effective shaping and support. Digital printing, Nylon yarn, and embroidery techniques are utilized to portray the cultural spirit of mountains and seas in Chinese culture. Additionally, this material serves as a decorative element, enhancing the visual appeal by securely adorning the costume design.
Ikibazo cy'Ishusho: The challenge lies in how to express Eastern deity culture through modern Western three-dimensional tailoring. Utilizing digital algorithms and researching the application of textile technology in traditional hand-embroidery works to reduce the weight and enhance the wear resistance of traditional embroidery pieces. The dragon and lion motifs on the clothing are not created using embroidery techniques but are extracted through trademark production methods. What I want to discuss is the new possibilities of traditional craft culture in contemporary design.
Ubushakashatsi: Researching the intangible cultural heritage of over a century from the Puji Temple in Daxi, Taiwan, focusing on the deity Guan Gong, this involves studying the intricacies of the attire. Emphasizing the wide robes and large sleeves, the attire showcases the highest level of traditional carving artistry, known as the "Embracing Longevity" style. The clothing design embodies the concept of both literary and martial prowess, symbolizing the spirit of loyalty, righteousness, and bravery in Chinese culture. Guan Gong holds significance as a vital deity in Taiwan's folk belief culture.
Ibyatumye Habaho: Drawing inspiration from the traditional clothing style of the statue of Guan Sheng Dijun at Taiwan's Daxi Puji Temple, an intangible cultural heritage with a history of over a century. The aspiration is to break away from the singularity of traditional divine clothing embroidery culture, utilizing modern textile technology and craftsmanship to revive traditional techniques. Creating a unique and narrative-driven ethnic performance costume based on the historical and cultural aspects of Guan Gong.
Igihe cy'Umushinga: The project started in June 2023 in Taipei and finished in July 2023 in Taipei, and was exhibited in Daxi Martial Arts Hall of Fine Arts in July 2023.
Uburyo bw'Imikorere: This work is not only wearable clothing, but also can be regarded as an installation art. The work incorporates mixed media (embroidered fabric labels, embroidery, aluminum wire, cotton paper, mesh) to create hats, clothing, and stylistic accessories. The artwork showcases an aesthetically pleasing overall design, and possesses significant artistic value for observation and appreciation.
Patente: Patented. Patent No.M649328. Patent Holder to LIANG-I WU. From December 11, 2023, to July 20, 2033. Jurisdiction by Intellectual Property Office, Ministry of Economic Affairs, R.O.C.
For copyrights: "Copyrights belong to LIANG-I WU/CHI-HSIANG LI, 2023”
Abagize Itsinda: Designer:LIANG-I,WU
Designer:CHI-HSIANG,LI
Abafotoye: Copyright by LIANG-I WU,
Image #1: Photographer CHIA-HAO HSU，2023
Image #2: Photographer CHIA-HAO HSU，2023
Image #3: Photographer CHIA-HAO HSU，2023
Image #4: Photographer CHIA-HAO HSU，2023
Image #5: Photographer CHIA-HAO HSU，2023
Model: CHI-HSIANG LI，2023