Embrace The Poetry Of Self Umwambaro na Ji Yibo

Umushinga Embrace The Poetry Of Self Umwambaro wa Ji Yibo ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imyambarire.

IcyumaImyambarire· 2025

Embrace The Poetry Of Self Umwambaro

na Ji Yibo

Umukiriya: Nanjing University of the Arts

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Imyambarire

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #169049

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Embrace The Poetry Of Self Umwambaro

Kwakira Ubuhanzi bw'Ubwenge Bwite ni ikoranabuhanga ry'imyambarire y'abagore rishingiye ku myambaro. Imiterere y'ishati gakondo y'abagabo yashyizwemo mu mwambaro w'igitsina gore, kandi ubukanoni bw'ibice bitatu bukoreshwa mu guhuza izi mpano zombi. Imiterere y'imyambaro isenywa hanyuma igasubizwaho ubwoko, kugira ngo hasibwe imbibi ziri hagati y'imyambaro ishingiye ku gitsina. Igisubizo ni umwambaro umwe ushobora kwambarwa mu buryo butandukanye. Imikorere n'imiterere bihujwe mu gice kimwe. Iyi koleksiyo yibanda ku bwite bw'umugore no ku isano riri hagati y'imyambaro n'umubiri mu mwanya.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Embrace The Poetry Of Self Umwambaro ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Embrace The Poetry Of Self Umwambaro biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Embrace The Poetry Of Self Umwambaro yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Ibipimo n'Ipaki: 25cm*2cm*80cm
Ibibazo Fatizo: Apparel, Clothes, Fashion, Dress, Woman
Ikoranabuhanga ryo Guteza Imbere: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Ikibazo cy'Ishusho: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Ubushakashatsi: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Ibyatumye Habaho: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Igihe cy'Umushinga: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Uburyo bw'Imikorere: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Abagize Itsinda: Ji Yibo