Artemis Itara ryo ku Butaka na Attiq Ahmed

Umushinga Artemis Itara ryo ku Butaka wa Attiq Ahmed ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Urumuri.

IcyumaUrumuri· 2026

Artemis Itara ryo ku Butaka

na Attiq Ahmed

Umukiriya: Turning Tables

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Urumuri

5,689

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #179278

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Artemis Itara ryo ku Butaka

Artemis ni itara ryo ku butaka rikozwe mu biti byatwitswe n'icyuma. Iri tara rifite ishusho ihagaze ihujwe mu buryo buhagaritse, izamuka iva ku rufatiro rufite uburemere kugira ngo rihagarare neza. Isura y'igiti cyatwitswe ikorwa hakoreshejwe uburyo bwo gutwika bwa Shou Sugi Ban, bwongera imbaraga zo kurambya kandi bukagaragaza imiterere n'ubujyakuzimu bw'ikoranabuhanga ry'igiti. Igikingirizo gifite ishusho y'amababi atatu gikwirakwiza urumuri mu buryo bungana, kandi akabuto gasanzwe ko gucana no kuzimya ni ko kayobora iri tara. Ishusho yaryo yakuwe ku mitako ikamirwa hejuru y'amazu afite ibisenge by'uruziga mu bwubatsi bwa Mughal. Iri tara rifite uburebure bwa inchi 72 n'umurambararo wa inchi 22.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Artemis Itara ryo ku Butaka ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Artemis Itara ryo ku Butaka biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Artemis Itara ryo ku Butaka yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Artemis Floor Lamp is a sculptural lighting piece crafted from burnt wood and metal, defined by a vertically articulated form and a weighted, grounded base. The charred wood finish enhances durability while revealing material depth and texture. A trileaf-shaped lampshade softens and diffuses light evenly, while the restrained geometry balances craft and precision, allowing the lamp to function as both an ambient light source and a standalone object of design integrity.
Ibipimo n'Ipaki: Height 72”
Diameter 22”
Ibibazo Fatizo: Artemis, burntwood, charred wood, Shisham, floor lamp, Sculptural lighting, Craft As Inquiry, Material poetry, contemporary craft, Pakistani design, modern craft, design as process, hand made design
Ikoranabuhanga ryo Guteza Imbere: Materials:
Indian Rose Wood
Metal
Techniques:
Wood lathe turning
Shou Sugi Ban (Japanese wood burning)
Ikibazo cy'Ishusho: The primary challenge was achieving a precise balance between proportion and stability within a slender vertical form. Referencing historical Mughal finials required careful scaling to avoid literal replication while maintaining visual hierarchy. Structurally, the lamp demanded a weighted base and refined transitions to ensure stability without compromising elegance, requiring multiple iterations to align form, balance, and functional performance.
Ubushakashatsi: The research was exploratory and practice-based, aiming to translate architectural heritage into a functional object. The objective was to study proportion, balance, and symbolic form. The methodology involved visual study, sketching, and material trials. Tools included drawings, scale mock-ups, and prototypes. The process was designer-led. Results refined stability and form. Insights showed heritage can inform contemporary design, impacting craft practice and product identity.
Ibyatumye Habaho: The design draws inspiration from Mughal architecture, specifically the finials crowning domes, studied for their proportions, vertical hierarchy, and symbolic grounding. The project translates these historic forms into a contemporary object through material experimentation with burnt wood and metal, using controlled charring to enhance durability while retaining a clear architectural lineage and crafted precision.
Igihe cy'Umushinga: The project commenced in September 2025 and progressed through both design development and fabrication over an estimated period of 20–24 days. Fabrication was completed in October 2025, culminating in a fully realized prototype that reflects the intended design intent and material exploration
Uburyo bw'Imikorere: The lamp is operated by a simple on-off switch, allowing light to gently diffuse through the shade while the sculpted base remains visually stable. Its tall, balanced form guides the eye upward, creating a calm presence in a room. The layered base ensures stability, while the dark finish reduces visual clutter, helping the light feel warmer and more focused in everyday use.
Abafotoye: Muhammad Ibrahim Butt