GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi na Yoko Komatsu and Hajime Tokura

Umushinga GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi wa Yoko Komatsu and Hajime Tokura ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

ZahabuImitako· 2026

GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi

na Yoko Komatsu and Hajime Tokura

Umukiriya: Grand Green Osaka JV Group

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Imitako

43,129

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #180101

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi

Iyi ntebe ndende ya metero 16 ifite imiterere isa n'ibinyabuzima iri muri Grand Green Osaka, yakozwe mu giti cy'umuwati wo mu Buyapani. Hakoreshejwe ubuhanga bwa kijyambere bwo gukoresha mudasobwa mu guhuza ibice birenga 6,000 bitandukanye bigashyirwa hamwe bikabaho ari ibice 29 bifite imiterere y'ibinyabuzima. Ibyuma byose byo guhuza bihishwe neza binyuze mu buryo bwihishe bwo guhuza ibice. Muri iyi myanya ihagarariye rubanda ikozwe nk'igishushanyo, ubuhanga gakondo bwo gukora n'intoki bwahujwe n'igishushanyo cy'imibare gikoreshwa na mudasobwa. Yagenewe gukora nk'intebe yo kuruhukiraho ndetse n'ikibumbiro cy'ibimera muri iki cyumba cyo kwakira abashyitsi.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. GGO Biomorphic Imyanya yo mu Cyumba cyo Kwakira Abashyitsi itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Ibipimo n'Ipaki: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Ibibazo Fatizo: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Ikoranabuhanga ryo Guteza Imbere: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Ikibazo cy'Ishusho: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Ubushakashatsi: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Ibyatumye Habaho: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Igihe cy'Umushinga: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Uburyo bw'Imikorere: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Patente: Copyrights belong to KOKUYO Co., Ltd., 2025.
Abagize Itsinda: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Abafotoye: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.