Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo na Xishun Tan

Umushinga Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo wa Xishun Tan ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

ZahabuImbere y'Inyubako· 2026

Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo

na Xishun Tan

Umukiriya: Vanke

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Imbere y'Inyubako

21,372

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #180277

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo

Myriad Circles ni igishushanyo cy'imbere mu nzu yo guturamo cyarangijwe muri Sichuan, mu Bushinwa. Imiterere yacyo yahumekewe n'imidugudu ya Linpan yo mu Burengerazuba bwa Sichuan hamwe n'inyubako zayo gakondo z'ibiti zizwi nka Chuandou. Ubukorikori bwihariye bw'ibiti bya walnut yo muri Amerika busubiramo mu buryo bushya ubuhanga bwo guhuza no gushyira ibice by'ibiti bihanitse hejuru bikoreshwa muri izo nyubako. Ibyuma bihishwe imbere mu bukorikori bw'ibiti bifasha gushyigikira uburemere bw'icyegeranyo cy'utumodeli. Icyuma kidasibangana n'ikirahure bihujwe n'ibiti. Ibice bidahinduka bya walnut biha imbere y'inzu uburambe ndangamuco, mu gihe ibice bishobora guhinduka bituma umwanya ukoreshwa mu buryo bunyuranye buhinduka.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Myriad Circles Igishushanyo cy'Imbere mu Nzu yo Guturamo itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
Ibibazo Fatizo: Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
Ikoranabuhanga ryo Guteza Imbere: To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
Ikibazo cy'Ishusho: The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
Ubushakashatsi: This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
Ibyatumye Habaho: A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
Igihe cy'Umushinga: The project started in April 2024 in China and finished in August 2025 in Sichuan China.
Uburyo bw'Imikorere: The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
Abagize Itsinda: Design Director：FIONA LIU and Project Director：TIM TAN
Abafotoye: Photographer：Kong studio