Umushinga Nakovalnya Intebe wa Nataliya Naymark ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cy'icyuma mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

IcyumaImitako· 2026

Nakovalnya Intebe

na Nataliya Naymark

Umukiriya: NNaymark.design

Uwatsinze Igihembo cya A' Design Award cy'icyuma mu Cyiciro cya Imitako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #181782

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Nakovalnya Intebe

Nakovalnya ni intebe ihambaye yubaha umwuka w'inganda w'uruganda rw'icyuma rw'Uburusiya bw'abami. Yatewe inkunga n'umurage w'ubucuzi bw'icyuma bwa ba sekuruza b'umuhanzi wayikoze, iki gikorwa gihindura ishusho iremereye kandi ishinze imizi ya nyundo nini y'umucuzi (anvil) mo igishushanyo kigezweho cy'ibiti. Ifite icyicaro cyacukuwe mu buryo bwimbitse kandi bwuzuye ku rugero ndetse n'ishusho ya brutalist, Nakovalnya ikora nk'icyicaro gifite akamaro ndetse na valet yo gushyiraho imyenda. Igereranya intangiriro y'ibintu, ahantu h'umurimo hahinduwe igihangano nyamukuru cyo mu rugo binyuze mu bukorikori bwo ku rwego rwo hejuru.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cy'icyuma

Nakovalnya Intebe ni uwegukanye Igihembo cya A' Design Award cy'icyuma, ishimwe ry'agaciro ritangwa ku bishushanyo byiza bihuza ibyo umwuga n'inganda bikeneye ku bihangano byashushanyijwe neza. Abegukanye icyuma bagaragaza ubuhanga bukomeye, ubumenyi bwihariye, imyumvire y'inzobere n'ubushobozi bwo guhanga bw'ababikoze. Nakovalnya Intebe biteganyijwe ko izaba igihangano cyubahwa, gishimwa kandi gikundwa, gifatika kandi gifite udushya. Iki gishushanyo cyegukanye icyuma gihuza uburyo bwiza bukoreshwa mu nganda kandi gifite ibiranga bya tekiniki bifite ubushobozi, bifatanye n'ubumenyi n'impano. Nakovalnya Intebe yubahwa kubera gukora neza, kandi yashushanyijwe kugira ngo inoze ubuzima, ifashe gutuma isi iba nziza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The Nakovalnya Chair explores ancestral heritage and the primordial act of creation. Inspired by the designer's great-great-grandfather, a blacksmith in Imperial Russia, the project embodies the grit and transformative power of the forge. The motive was to translate the "Anvil" - a site of intense labor and fire - into a domestic center piece. It serves as a tribute to the humble beginnings where raw materials are struck into beauty, positioning the chair as the essence of the home.
Ibipimo n'Ipaki: 700*640*680
Ibibazo Fatizo: Anvil Chair, Nakovalnya Design, Blacksmith Heritage, Russian Brutalism, Sculptural Seating, Solid Wood Furniture, Valet Chair, Ancestral Storytelling, Imperial Russia, Modernist Craft, Monumental Furniture, Functional Art, CNC Woodworking, Hand-finished Timber, Heritage Design.
Ikoranabuhanga ryo Guteza Imbere: The chair is realized through high-precision solid wood joinery, using oversized ash or oak to achieve its brutal mass. The primary structural challenge involved the deep concave seat, achieved through multi-axis cnc milling and hand-finishing to highlight the grain. The assembly uses mortise-and-tenon joints, reinforced to support the cantilevered backrest and hanging rail. The finish is a matte, low-voc oil that preserves the raw, tactile nature of the timber.
Ikibazo cy'Ishusho: The hardest part was balancing brutalism with human ergonomics. To honor the anvil, the chair needed to feel heavy and immovable while remaining a comfortable seat. Overcoming the internal factor of personal history, ensuring the tribute was respectful yet modern, required multiple iterations of the silhouette. Structural limits of wood when mimicking the weight of iron posed engineering challenges. Achieving the deep seat curve without compromising the grain was the main technical hurdle.
Ubushakashatsi: This project is a work of Applied Conceptual Research aimed at bridging ancestral history with modern furniture typology. The objective was to distill the "spirit of the forge" into a functional domestic object. The methodology involved a deep dive into 19th-century blacksmithing tools and Russian peasant heritage, translating heavy iron geometries into wood. Data collection consisted of studying anvil proportions and ergonomic testing of concave surfaces. Through experiments with 1:1 scale prototypes, the research successfully balanced "brutalist" aesthetics with seating comfort. The insight gained is that furniture can act as a vessel for historical memory, impacting design by moving away from clinical minimalism toward soulful, narrative-driven objects that resonate with a society seeking deeper connections to their past.
Ibyatumye Habaho: Nakovalnya is a sculptural seating element prioritizing a brutalist aesthetic. Characterized by thick-set wooden members and a dramatic concave seat, the design mimics the grounded geometry of traditional iron-working tools. Its unique strength lies in its dual functionality: it serves as a robust seating vessel and a sculptural valet for garments. Unlike standard furniture, Nakovalnya acts as a physical manifesto of historical labor, bridging the gap between utilitarian craft and art.
Igihe cy'Umushinga: autumn 2025
Uburyo bw'Imikorere: The chair functions as a heavy-duty sanctuary for both the body and belongings. Its deep, scooped seat provides a grounded sitting experience, while the high, sturdy backrest is designed to double as a valet for hanging heavy coats or everyday clothes. Interaction is simple and tactile: the oversized wooden frame encourages the user to feel the history of the forge. It performs better than standard seating by offering a dual-purpose "sculptural anchor" that organizes the space around it.