Tokyo Intebe yo Kuruhukiraho na Isabelle De Mari

Umushinga Tokyo Intebe yo Kuruhukiraho wa Isabelle De Mari ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

IfezaImitako· 2026

Tokyo Intebe yo Kuruhukiraho

na Isabelle De Mari

Umukiriya: Olho Moveis Autorais

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imitako

18,400

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #181979

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Tokyo Intebe yo Kuruhukiraho

Tokyo ni intebe yo kuruhukiraho ikozwe mu giti gikomeye cya sucupira cyo muri Burezili. Uruti rw'intebe rugaragara neza rwose, rwerekana uburyo ibice byahujwe n'ibice by'ibiti byabajwe. Amaboko n'inkingi z'umugongo bibajwe hakoreshejwe imashini ibaza izunguruka igenzurwa n'intoki, bifite imisozo yinjiye imbere ku mpera zabyo. Uruhu karemano rwashyizwe mu mwanya wacukuwe muri buri gitereko cy'ukuboko kandi rurangijwe n'imidodo idoze. Umusego wo kwicaraho n'uw'umugongo bihuriza hamwe ifuro ya polyurethane iri mu byiciro n'amoya, byapfundikijwe mu gitambaro cya lino cy'ikawa. Hejuru byasyongoshejwe n'intoki kandi birangizwa na varinishi idakayangana. Iyi dizayini ikoresha amahame y'ububaji bw'Abayapani ku giti cyo muri Burezili.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Tokyo Intebe yo Kuruhukiraho ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Tokyo Intebe yo Kuruhukiraho biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Tokyo Intebe yo Kuruhukiraho ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
Ibipimo n'Ipaki: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
Ibibazo Fatizo: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
Ikoranabuhanga ryo Guteza Imbere: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
Ikibazo cy'Ishusho: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
Ubushakashatsi: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
Ibyatumye Habaho: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
Igihe cy'Umushinga: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Uburyo bw'Imikorere: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
Abagize Itsinda: Designer: Isabelle De Mari
Designer: Filipe Melo