Umushinga Great Blue Hole Umukufi wa Jung Ki Min ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Amasaro.

BuronzeAmasaro· 2026

Great Blue Hole Umukufi

na Jung Ki Min

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Amasaro

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #182523

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Great Blue Hole Umukufi

Great Blue Hole ni umukufi wahumekewe n'umwobo munini wo mu nyanja witwa iryo zina uherereye muri Belize. Iri shusho rihindura ahantu hanini nyaburanga mu buryo bw'igishushanyo cy'ubuhanzi cyambarwa. Ibice by'icyuma bishyizwe mu byiciro bizamuwe ku nsinga z'uburebure butandukanye kugira ngo habeho ingano n'ubujyakuzimu bifite ibipimo bitatu. Gukata n'umusego, gushonga icyuma, gusiga rangi ya emayilo, gushyiramo amabuye y'agaciro, gukanda no gusohora imiterere (chasing na repoussé) ni ubuhanga bwakoreshejwe mu kubaka imiterere n'uduce two hejuru. Uyu mukufi ufite ubugari bwa milimetero 130, ubujyakuzimu bwa milimetero 15 n'uburebure bwa milimetero 75, hamwe n'umurongo w'amasaro ya perile ufite milimetero 450. Iyo umubiri unyeganyeze, urumuri ruhinduka runyura ku byiciro by'umukufi.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Great Blue Hole Umukufi ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Great Blue Hole Umukufi biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Great Blue Hole Umukufi ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Ibipimo n'Ipaki: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Ibibazo Fatizo: silver, necklace, jewelry, natural
Ikoranabuhanga ryo Guteza Imbere: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Ikibazo cy'Ishusho: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Ubushakashatsi: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Ibyatumye Habaho: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Igihe cy'Umushinga: The project started in August 2018 in New York, USA, and was completed in May 2019.
Uburyo bw'Imikorere: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Abafotoye: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.