Uketamo Igishushanyo cy'Imbere mu Hoteli na Chris Yj Chen

Umushinga Uketamo Igishushanyo cy'Imbere mu Hoteli wa Chris Yj Chen ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2026

Uketamo Igishushanyo cy'Imbere mu Hoteli

na Chris Yj Chen

Umukiriya: Chris YJ Chen

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #183112

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Uketamo Igishushanyo cy'Imbere mu Hoteli

Uketamo ni imbere y'ihoteli iherereye mu Karere ka Daan i Taipei, muri Tayiwani. Iri gishushanyo rihindura igitekerezo cyo kwakira mu rugendo rw'umwanya. Ingazi yo hagati ihuza amazu y'ubwakiranyi ya magorofa atatu, ahagarariye ibihe byashize, ibiriho ubu n'ibizaza. Iyo ngazi ifite urubariro rw'icyuma rutwikiriwe n'amakaro y'Ubutaliyani, naho inkuta zifite igitaka cy'amabuye cyashyizweho n'intoki gifite imiterere isa n'ubutaka. Umwenda muremure wa metero zirindwi waboheshejwe intoki uhindura ibara uva ku bururu bwijimye cyane ugana ku bururu bworoshye. Imbibi zigenda zibonerana uko abashyitsi bazamuka, zibavana mu bwinshi bw'umujyi zibageza ku gituza.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Uketamo Igishushanyo cy'Imbere mu Hoteli ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Uketamo Igishushanyo cy'Imbere mu Hoteli biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Uketamo Igishushanyo cy'Imbere mu Hoteli ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: By reinterpreting this ancient pilgrimage within a contemporary urban void, the designer crafted a 'Staircase of Time'. This ritualistic path invites travelers to embark on a meditative ascent that strips away the city's noise, allowing the soul to progress through a profound spiritual realignment. As guests traverse the levels, they move beyond the physical structure to experience a state of rebirth, ultimately restoring the spirit to its primal 'Zero' state.
Ibipimo n'Ipaki: The central wall features a monumental 7 meter long tapestry by Yamagata Dantsu, a workshop founded in 1935. This bespoke textile was meticulously crafted over six months, integrating traditional thread cultivation, custom dyeing, and expert hand-tufting by skilled artisans. This ensures a seamless gradient transition from deep indigo to the ethereal pale blue-white of dawn light.
Ibibazo Fatizo: Hotel,Uketamo,Hotel Uketamo,Taiwan,Paradox Studio,Yamagata
Ikoranabuhanga ryo Guteza Imbere: The staircase is constructed with a structural steel frame clad in Italian tile. The surrounding walls are finished with ONE DUST Colorwash Extra, a premium mineral-based coating. This mineral paint is applied using a hand-layered technique to achieve a monolithic, earthy texture that evokes a mountain path.
Ikibazo cy'Ishusho: The primary challenge was translating the metaphysical 'Uketamo' philosophy into a tangible architectural experience within a constrained urban footprint. It required balancing physical materiality with a spiritual narrative through three key strategies:

1. Cultivating Acceptance through Movement:
One of the greatest challenges was designing the vertical circulation to facilitate a state of total acceptance (Uketamo). The goal was to create a space that could instinctively quiet the mind; by manipulating spatial volume and rhythm, the design transformed the act of climbing into a meditative process, allowing guests to unconditionally embrace the transition from urban chaos to inner stillness.

2. Metaphorical Translation: Synthesizing the "Three Mountains of Dewa" required precise control over material density. The designer overcame this by engineering a vertical sensory shift: moving from heavy, grounded textures on the lower floors to ethereal, light-driven surfaces at the peak, ensuring the spiritual timeline was perceptible through touch and sight.
3. Interactive Sightlines: We conducted a rigorous sightline analysis to align the staircase's open-riser structure with the monumental 'Yamago Agu' (looking up to the sacred mountain) tapestry. This ensured that the transition from a "look-up" (awe) to an "overlook" (clarity) perspective remained perfectly synchronized with the guest's physical ascent, successfully turning a functional transit void into a ritualistic, cinematic journey.
Ubushakashatsi: The Trilogy of Life: The Arboreal Journey
The central staircase acts as the architectural sapwood, vertically interconnecting the 4th, 5th, and 6th-floor lobbies into a living allegory of a tree’s growth and spiritual evolution. The design maps the "Roots-Branches-Leaves" sequence onto a temporal timeline, creating a cohesive narrative arc where movement through space mirrors the journey of life.
4F: Solid Roots (The Past). Representing the foundation of being, the design language is grounded and tactile. Heavier textures and structural honesty evoke the stability of ancient roots deep within the mountain soil.
5F: Layered Branches (The Present). The main arrival point mimics the complexity of interlocking branches. Here, social interaction and functional layers intersect, capturing the vibrant, active energy of the canopy.
6F: Ethereal Leaves & Water Shadows (The Future). As the staircase reaches its peak, lightness defines the atmosphere. Sunlight filters through high windows, creating an effect of "leaves falling onto water shadows," symbolizing spiritual transcendence and rebirth.
Through this Vertical Connectivity, the architecture physically "lightens" as guests ascend. By transitioning from the density of the roots to the transparency of the sky, the design facilitates a profound Sensory Transformation, guiding the observer toward the ultimate state of Uketamo (Unconditionally Acceptance).
Ibyatumye Habaho: In the heart of Taipei Daan District, HOTEL UKETAMO explores the urban sanctuary through the lens of Japanese philosophy: Uketamo, a state of acceptance.
The project reimagined the traditional lobby and circulation into a 'Vertical Pilgrimage' rooted in the spiritual heritage of the Yamabushi monks from the Three Sacred Mountains of Dewa. Each level of this architectural intervention mirrors the sacred peaks' symbolism of existence: the Past, the Present, and the Future.
Igihe cy'Umushinga: Completed in August 2025. Taipei, Taiwan.
Uburyo bw'Imikorere: The center staircase is a vertical 'Cosmic Axis' bridging the celestial and the terrestrial, guided by the principle of 'As above, so below.' The Zenith, symbolizing the Origin of the Universe, acts as a spiritual 'Sun' cascading light like shimmering dewdrops. This light is captured at the base by a reflective 'Mirror Moon,' forming a Complete Circle that embodies the spiritual cycle of the Three Sacred Mountains of Dewa. This infinite resonance between the Past, Present, and Future suggests that the vastness of the universe and the reincarnation of life are both held within the stillness of the self. Within this axis, the staircase serves as a cinematic platform for the monumental tapestry, 'Yama o Aogu' specially commissioned from the renowned Yamagata Dantsu team. As guests traverse the levels, their vision evolves through a shifting perspective: from a humble look-up (awe) at the mountain's roots to a clear overlook (clarity) at its peak. This movement, echoing the transition from dawn to dusk, reflects an internal evolution, positing that the 'angle of the heart' ultimately determines how one perceives the mountain of life.
Abagize Itsinda: Design Director: Chris YJ Chen
Architect: TC Kuo
Designer: Emma Hsu
Abafotoye: Photographer: Andrew Kan