Lasso Imyenda Yo Gushushanya na Cristina Orozco Cuevas

Umushinga Lasso Imyenda Yo Gushushanya wa Cristina Orozco Cuevas ni uwatsinze igihembo cyubahwa cyane 2014 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imyenda.

BuronzeImyenda· 2014

Lasso Imyenda Yo Gushushanya

na Cristina Orozco Cuevas

Umukiriya: Cristina Orozco Cuevas Studio

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imyenda

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #30204

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Lasso Imyenda Yo Gushushanya

Lasso nkigisobanuro ni umugozi muremure ufite umusego wiruka kumutwe umwe. Aho guhumekwa; iyi myenda nigisubizo cya. Ifite uburyo budasanzwe bwo gukoraho hamwe nuburanga usibye imiyoboro idasanzwe yacitse kuburyo urumuri rushobora kunyura buhoro cyane. Ni kimwe cya kabiri cyinganda - igice cyakozwe, gikozwe mubudodo bwa elegitoronike kandi gicibwa n'intoki. Uyu mushinga urashimishije cyane kandi wizizira nka bombo kandi wabaye imwe mubibazo byingenzi no kuvumbura kumurimo wanjye nkudoda imyenda. Uyu mushinga ni serendipia, gutsitara, kuvumbura amahirwe, amahirwe nimpanuka.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Lasso Imyenda Yo Gushushanya ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Lasso Imyenda Yo Gushushanya biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Lasso Imyenda Yo Gushushanya ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: half industrial - half crafted, designed with textile CAD software, woven in jacquard electronic looms and cut by hand. It is woven industrially, but cut by hand which gives job to machines and external people. It forms vertical channels as a kind of fray where the light can pass through very sofltly. The frays are crafted processes and lasts months. A fabric with this kind of processes in the industry mills is nearly impossible but not that much.
Ibipimo n'Ipaki: Widths available: 1.40 m and 2.80 m. Rapport repeat: 35 cm width x 25 cm height. Uses: lamps, pillows, bedscarfs and decorative curtains. As a finish ironing the loose fur brings more volume and the frayed channels are more obvious. It is of massive production and the loose yarns are strongly moored with a tafeta special weave union.
Ibibazo Fatizo: Jacquard, textile, decoration, fabric, lasso, half indusrtrial, half handmade, fur
Ikoranabuhanga ryo Guteza Imbere: All polyester dyed yarns woven in Jacquard electronic looms. The floated yarns are cut manually by a special tool we call knife shutter. The weave technique is very old (double fabric). However the important aspect is how I applied the weaves interlaced in order to be viable to be produced and not just as a prototype as good productivity performance. The special tool developed reminded textile engineers old techniques to make corduroy.
Ikibazo cy'Ishusho: At the beginning the aim was to develop a fabric with square bags. It would have little bags to put inside tools or jewelry. After weaving and testing different techiques, this came up as a serendipity all of it. There were more than 10 previews designs to get to the final lasso fabric. The weaves interaction result was floats in warp and weft. To cut the yarns in vertical and horizontal, we developed a special tool that works as a long shuttle knife to have a better and faster production. It was an enormous challenge to have it accomplished as a product and to convince the mill that it would work.
Ubushakashatsi: The research was completely experimental. Textile engineers were afraid that using this technique on industrial looms could not work, specially the machines weaving. The process of cutting the loose yarns was hard in order to bring a product that because of the hand crafted process would not be so expensive that would not work with the market prices. Besides the lead time to deliver a roll of this product within 3 weeks at least. Since warping process till the client's door. The cut part can be done by external workers so other people get a job.
Ibyatumye Habaho: I named it lasso as a long rope with a running noose at one end. This project can be described as: experimentation. This fabric started with the research of something very different from the result. More than inspiration this project is about having luck, stumbling upon, chance discovery, fortuity and accident. It is a piece of hard work, research, mulish and not withdraw.
Igihe cy'Umushinga: The project started in March, 2012 and ended in September, 2012.
Uburyo bw'Imikorere: It has a special appearance as it seems as an extra application or embroidery upon the fabric but in fact it is woven like that. People always want to touch first than see the furry yarns. If there is light behind the soft feeling is quite special and light passes through the frayed parts. This kind of textile can replace goose feathers.
Abagize Itsinda: Cristina Orozco Cuevas