Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura na PiiN Interior Design

Umushinga Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura wa PiiN Interior Design ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2020

Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura

na PiiN Interior Design

Umukiriya: Shan Cun Fu Hong Interior Design

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

10,896

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #88734

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura

Ubwiza bwa Yinyang ni igishushanyo cy'imbere mu nzu yo gutura kingana na metero kare 300 iherereye i Taichung, muri Taiwan. Igishushanyo gikoresha uburinganire n'uburyo bunoze bwa Yinyang, ihame ry'umuco gakondo w'Abashinwa, mu rugo rw'iki gihe. Igishushanyo kigenwa mu buryo bunganya hamwe n'ibice byoroshye bikora imirongo, bikarema umuco w'itunganywa n'amahoro. Uruziga rugena imiterere y'ahantu ho kurira, rushushanya ku miterere y'imiryango yiteranira hamwe kugira ngo barye ifunguro rimwe. Ibikoresho birimo ibiti nyabyo, marumari, urupapuro rw'izahabu, hamwe n'ubuhanzi bw'amadirishya y'ibirahure bya kera. Igishushanyo kinini cy'ubwoya bw'amazi (water ink painting) ku rupapuro cyashyizwe ku rukuta rumwe.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Beauty of Yinyang Igishushanyo cy'imbere mu nzu yo Gutura ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
Ibipimo n'Ipaki: The interior design area is 300 square meters.
Ibibazo Fatizo: New Chinese Styling, Symmetry, Circle, Oriental, Line
Ikoranabuhanga ryo Guteza Imbere: Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
Ikibazo cy'Ishusho: With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
Ubushakashatsi: As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
Ibyatumye Habaho: In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
Igihe cy'Umushinga: The project finished in February, 2018 in Taichung, Taiwan.
Uburyo bw'Imikorere: Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
Abagize Itsinda: Chih Hsiu Sung
Joy Chou
Abafotoye: Photographer LIN YU HUAN, SW8 Studio, 2019.